File:Till en liten vira.jpg
原始文件 (3,517 × 2,586像素,文件大小:2.93 MB,MIME类型:image/jpeg)
摘要
卡爾·拉森:Getting Ready for a Game | ||||||||||||||||||||||||||||
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艺术家 |
artist QS:P170,Q187310 |
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标题 | ||||||||||||||||||||||||||||
物体类型 | 畫作 | |||||||||||||||||||||||||||
藝術類型 | 風俗藝術 | |||||||||||||||||||||||||||
描述 |
"It's really terrible outdoors. The wind is whistling through the joints of the house and the snow is not snow but sharp needles that get into the corners of one's eyes… Just the right time for a game of 'vira'. Here is the tray full of comforting drinks and all the necessaries and Karin is still not finished with the final decorations which include the monastery liqueur which she is taking off the shelf. In the background is the altar itself, the card table that I have arranged myself." Carl Larsson's own description of his painting Getting Ready for a Game in the book entitled Larssons which was published by Bonniers in 1902. The "vira" that Carl Larsson mentioned was an enormously popular card game invented in Sweden sometime in the 19th century. When the picture was painted the Larsson family had settled permanently at their summer residence at Sundborn in the hills of Dalarna. In his autobiography Carl Larsson writes that it was his wife, Karin, who gave him the idea of portraying their home in pictures. Books about the Larsson home in Sundborn sold in huge editions and the pictures spread in innumerable reproductions. Few homes throughout the world have received as much publicity. For many people, Sundborn is the quintessence of all things Swedish though, in point of fact, the Larssons had a very international taste in furnishing. The first of the Sundborn watercolours were shown at the Stockholm Exhibition of 1897. Ellen Key, the pioneering author and feminist, saw them at the exhibition and wrote an article on Beauty in the home that was published in the magazine "Idun". Ellen Key wanted to create opinion against the "Germanic" style of furnishing which was usual at the time in Sweden. This consisted of dark wallpapers, heavy drapes and curtains, velvet-covered sofas and chairs and dried flowers. In Carl Larsson's watercolours she found something that could replace this. Both Ellen Key and the Karin and Carl Larsson had been inspired by John Ruskin's ideas about a more beautiful world beyond that of the mass-produced items of the factories. In Ruskin's view, beauty must collaborate with function and the task of art and architecture was a moral one in that they created the necessary conditions for spiritual health, energy and joy. Ruskin's theory about the importance of beauty in everyday life was taken up by William Morris in the field of crafts. Morris started the Arts and Crafts Movement that sought to bring new life to the traditional crafts as an alternative to industrial products. The ideas of the movement were spread by a highly influential magazine called "The Studio" which the Larssons subscribed to. The famous home at Sundborn was created jointly by Karin and Carl Larsson. Carl took an active part in the public life of the art world while Karin's contribution remained unrecognized right up to the 1980s. In fact Karin Larsson had received a thorough artistic training. She attended both what is now the University College of Arts, Crafts and Design in Stockholm – better known as Konstfack and the Academy of Fine Arts. She met Carl in Paris while he was studying there. After their marriage she gave birth to seven children in rapid succession. And so family life and managing the household took up her time and her professional life retired into the background. Karin never ceased to be creative but channelled this energy into furnishing Sundborn, for example. The home at Sundborn became her life work. For the house constantly changed in character to suit the shifting needs of the family. |
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描绘人物 | 卡琳·拉森 | |||||||||||||||||||||||||||
日期 |
1901年 date QS:P571,+1901-00-00T00:00:00Z/9 |
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表现形式 |
布面油画 medium QS:P186,Q296955;P186,Q12321255,P518,Q861259 |
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尺寸 | 68 x 92 cm | |||||||||||||||||||||||||||
藏于 |
institution QS:P195,Q842858 |
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登录号 | ||||||||||||||||||||||||||||
展览史 |
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参考 | Nationalmuseum Sweden artwork ID:18965 | |||||||||||||||||||||||||||
来源/摄影师 |
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其他版本 |
许可协议
这是一个平面公有领域艺术品的忠实摄影副本。原艺术品本身因为下列原因属于公有领域:
维基媒体基金会的官方立场认为:“对平面公有领域艺术品的忠实再制作品也属于公有领域。”
因此,可以认为此摄影副本在美国也属于公有领域。在其他司法管辖区,再利用此内容可能存在限制;参见再利用PD-Art照片了解详细信息。 |
此文件中描述的项目
描繪內容
维基媒体VRTS工单号码 简体中文(已转写)
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日期/时间 | 缩略图 | 大小 | 用户 | 备注 | |
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当前 | 2012年11月15日 (四) 13:00 | 3,517 × 2,586(2.93 MB) | NMW RNM | User created page with UploadWizard |
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元数据
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图像标题 |
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宽度 | 3,517 px |
高度 | 2,586 px |
每色彩组分位数 |
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压缩方案 | 未压缩 |
像素构成 | RGB |
方向 | 正常 |
色彩组分数 | 3 |
水平分辨率 | 300 dpi |
垂直分辨率 | 300 dpi |
数据排布 | 大块格式 |
使用软件 | Adobe Photoshop Elements 9.0 Windows |
文件修改日期时间 | 2012年11月15日 (四) 09:41 |
色彩空间 | 未标定 |
图像宽度 | 3,517 px |
图像高度 | 2,586 px |
原始文件唯一ID | adobe:docid:photoshop:f5f8ed98-fcbc-11d8-9529-d30880ffb132 |
著作权状况 | 著作权状况未设置 |
数字化日期时间 | 2004年9月15日 (三) 17:54 |
元数据最后修改日期 | 2012年11月15日 (四) 10:41 |
IIM版本 | 2 |