File:Rembrandt - Susanna and the Elders - WGA19104.jpg
原始檔案 (1,600 × 1,305 像素,檔案大小:243 KB,MIME 類型:image/jpeg)
摘要
倫勃朗:Susanna and the Elders | ||||||||||||||||||||||||||||
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作家 |
artist QS:P170,Q5598 |
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標題 |
Susanna and the Elders translate
label QS:Lit,"Susanna e i vecchioni"
label QS:Lfr,"Suzanne et les vieillards"
label QS:Lca,"Susana i els vells"
label QS:Lde,"Susanna im Bade"
label QS:Lpt,"Susana e os anciãos"
label QS:Lbe,"Сусана і старцы"
label QS:Lda,"Susanna i badet"
label QS:Lro,"Istoria Susanei"
label QS:Lja,"スザンナと長老たち"
label QS:Lsv,"Susanna i badet"
label QS:Lpl,"Zuzanna i starcy"
label QS:Lhe,"שושנה והזקנים"
label QS:Lnl,"Suzanna en de ouderlingen"
label QS:Ltl,"Aklat ni Susana"
label QS:Len,"Susanna and the Elders"
label QS:Les,"Susana y los viejos"
label QS:Lmk,"Сусана и старешините"
label QS:Lru,"Сусанна и старцы" |
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物體類型 | 畫作 | |||||||||||||||||||||||||||
藝術類型 | 宗教藝術 | |||||||||||||||||||||||||||
描述 | ||||||||||||||||||||||||||||
描繪人物 | 蘇散拿 | |||||||||||||||||||||||||||
日期 |
1647年 date QS:P571,+1647-00-00T00:00:00Z/9 |
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表現方法 | 油彩於mahagony panel上方 | |||||||||||||||||||||||||||
尺寸 |
高度:76.6釐米;寬度:92.8釐米 dimensions QS:P2048,76.6U174728 dimensions QS:P2049,92.8U174728 |
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藏於 |
institution QS:P195,Q165631 |
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登錄號 |
828E |
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物件歷史 |
1647年: Adriaen Banck (....-在1660年之後 date QS:P,+1660-00-00T00:00:00Z/7,P1319,+1660-00-00T00:00:00Z/9 ), 阿姆斯特丹,向Rembrandt van Rijn (1606-1669), 阿姆斯特丹以500 NLG购买 (?)1660年8月31日: Adriaen Maen, 多德雷赫特/斯希丹,向Adriaen Banck以560 NLG购买 date QS:P,+1738-04-16T00:00:00Z/7,P1326,+1738-04-16T00:00:00Z/11 : Baron Schönborn, 波默斯費爾登1738年4月16日: sale of the collection of [Baron Schönborn] at Gysbert Hol, Amsterdam, lot no. 67, for 100 NLG date QS:P,+1766-00-00T00:00:00Z/7,P1326,+1766-00-00T00:00:00Z/9 : Jacques Aved (1702-1766), 布魯塞爾/海牙/巴黎1766年11月24日: sale of the collection of J.A.J. Aved at Remy, 巴黎, lot no. 31, for 2,360 FRF date QS:P,+1769-05-01T00:00:00Z/7,P1326,+1769-05-01T00:00:00Z/11 : Edmund Burke (1729-1797)1769年6月12日前後 date QS:P,+1769-06-12T00:00:00Z/7,P1326,+1769-06-12T00:00:00Z/11 : Joshua Reynolds (1723-1792), 倫敦1792年: inherited by Mary II Palmer (1750-1820) from Joshua Reynolds date QS:P,+1883-00-00T00:00:00Z/7,P1326,+1883-00-00T00:00:00Z/9 : Sir Edmund Lechmere, 3rd Baronet (1826-1894), Category:伍斯特郡The Rhydd1883年: acquired by Charles Sedelmeyer (畫商), 巴黎 |
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展覽史 |
Rembrandt in eighteenth century England, Yale Center for British Art, 纽黑文, 1983年10月19日–1983年12月30日, ISBN 0930606442, 目錄編號 5. |
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題字 |
簽名以及日期 下方 右側: Rembrandt. f. [1]647
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參考文獻 |
RKDimages, Art-work number 49190, as Susanna and the elders (Daniel 13:1-63), 約1638-1637, 高度:76.6釐米;寬度:92.8釐米 dimensions QS:P2048,76.6U174728 dimensions QS:P2049,92.8U174728
Royal Institute for Cultural Heritage Photolibrary, object number 40006683, as Suzanne et les vieillards, 1638-1647, 高度:76釐米;寬度:91釐米dimensions QS:P2048,76U174728 dimensions QS:P2049,91U174728 .Bildindex der Kunst und Architektur, object 02552499, 作為 Susanna und die beiden Alten, 1647, 高度:76.6釐米;寬度:92.7釐米 dimensions QS:P2048,76.6U174728 dimensions QS:P2049,92.7U174728 Web Gallery of Art, 作為 Susanna and the Elders, 1647, 高度:77釐米;寬度:93釐米 dimensions QS:P2048,77U174728 dimensions QS:P2049,93U174728 . |
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來源/攝影者 |
Web Gallery of Art: 圖像 Info about artwork reference_wga QS:P973,"http://www.wga.hu/html/r/rembran/painting/biblic1/suzanna.html" |
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其他版本 |
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日期/時間 | 縮圖 | 尺寸 | 用戶 | 備註 | |
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目前 | 2014年5月24日 (六) 13:22 | 1,600 × 1,305(243 KB) | Hohum | Clearer | |
2011年6月13日 (一) 15:56 | 1,231 × 1,000(110 KB) | JarektUploadBot | {{Artwork |artist = {{Creator:Rembrandt}} |title = Susanna and the Elders |description = |date = 1647 |medium = {{Technique|Oil|mahagony panel}} |dimensions = {{size|unit=cm|height=77 |
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JPEG 檔案備註 | Susanna and the Elders
1647 Oil on mahogany panel, 77 x 93 cm Staatliche Museen, Berlin The subject is taken from the Apocryphal History of Susanna. Two Jewish Elders, hidden in the garden, threaten Susanna that they will publicly accuse her of committing adultery with a young man unless she gives herself to them. She is eventually exonerated by the wise judge, Daniel, and the Elders are punished. The subject, like that of Bathsheba, clearly had a considerable fascination for Rembrandt and is evidence (of which there is plenty more elsewhere in his work) that he was a man of strong sensuality. He made numerous drawings of Susanna and at least one other painting, now in The Hague. That picture executed in 1636 was, in fact, used as the starting point for the present one, which appears to have been begun shortly afterwards, i.e. ten years before it was completed in the form we see it now. As X-rays show, the Berlin painting consists of three layers, the first of which reveals the agitated type of composition characteristic of Rembrandt's style of the 1630s. When he re-painted the picture in 1647, he revised the design throughout, changing it into something much calmer. It is now the handling which is lively, not the composition. The figure style, the lighting, the colour and even the relationship of the figures to the landscape setting are all typical of the mid-1640s. For the composition, Rembrandt used a painting of the <a onclick="return OpenOther('/html/l/lastman/susanna.html')" href="/html/l/lastman/susanna.html">same subject by Lastman,</a> also now in Berlin, which he copied in a drawing. For all the lack of movement, the narrative and psychological elements of the story are conveyed with the utmost clarity. Rembrandt no longer needed the heightened dramatic language of the Baroque to express emotion at this period of his life. The painting was once owned by Sir Joshua Reynolds, who was among Rembrandt's greatest admirers.
--- Keywords: -------------- Author: REMBRANDT Harmenszoon van Rijn Title: Susanna and the Elders Time-line: 1601-1650 School: Dutch Form: painting Type: religious |
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