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草稿:Fanglan Art Association

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As an alumni association and an art exchange group for the members of the former “Fanglan Painting Club,” the Fanglan Art Association was founded in 1974 in Taiwan by eight alumni (e.g. painters Zheng Shi-Fan and Li Shih-Chao) of Taihoku Second Normal School under Japanese rule (now National Taipei University of Education) in memory of their Japanese mentors Ishikawa Kinichiro and Ohara Hitoshi. In the beginning, the association was named “Ichiiori-kai” after Ishikawa’s alias.[1][2]


History

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Origin

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The predecessor of the Fanglan Painting Club was the “Student Sketch Study Group of Taihoku Normal School” founded by Chen Zhi-Qi in 1924, and the members included Lan Yin-Ding, Ni Jiang-Huai and others. In 1927, Taihoku Second Normal School, which accepted Taiwanese students, was established, and Ishikawa Kinichiro served as a part-time art teacher who spent his spare time directing the painting club until he returned to Japan in 1932 and was succeeded by Ohara Hitoshi.[3][4] The name “Fanglan” came from the Fanglan Hills adjacent to the “Fanglan Campus” of Taihoku Second Normal School. The club staged joint exhibitions of students’ and teachers’ works annually before the Second World War, with the aims of learning from one another and promoting Taiwanese fine arts. After 1945, it evolved into an alumni association and an exchange platform for art aficionados.[3] In the early stage of the association, the initiator sent membership invitations according to the list of names of the former painting club of Taihoku Second Normal School. The association operated by mounting an exhibition once a year[5][6] with Zheng Shi-Fan as the person in charge.[3][7]

Development

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The association’s first exhibition was hosted by the Go Art Gallery in Taipei from 1 to 6 April 1975. A total of 36 artists from Taiwan and Japan presented their works in this exhibition, such as Yeh Huo-Cheng, Li Shih-Chiao, Chen Sui-Cheng, Wang Xin-Ying, Lee Yen-Fang, Su Qiu-Dong, Wu Dong-Cai, Ishikawa Kinichiro, Ishikawa Shihiko, Ohara Hitoshi, Ohara Yukio, Otabe Mihira, Kitahara Masayoshi, Yoshino Masaaki, and Fukuyama Susumu. Afterwards, many of the members have resided overseas, resulting in two overseas exhibitions in Los Angeles in 1983 and 1984.[8][1] The 15th edition of the association’s exhibition was held at the International Art Center in Taipei on 4 April 1997.[8]

Style

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The overall creative style of the Fanglan Art Association was similar to Pleinairism, the mainstream style of the government-run Taiwan Provincial Art Exhibition. It followed the spirit of realism of the Japanese colonial period by revolving around sketching from landscape, which differed from the orientations of the other more influential art groups in the postwar modern painting movement, such as the Eastern Painting Group and the Modern Printmaking Society whose members were mostly alumni of Taihoku Normal School.[9] Of all the postwar art groups that followed this context (e.g. Taiyang Art Association, Qingyun Painting Society, Era Art Association, Contemporary Painting Society, and Pure Art Association), the Fanglan Art Association was one of the few art groups comprising Taiwanese and Japanese painters. There were no Japanese painters involved in the abovementioned exemplar art groups with the exception of the Era Art Association that had Kuwata Kikou as its member.[10][11]

Members

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The key members of the Fanglan Art Association included famous Taiwanese artists Li Shih-Chiao, Lin You-De, Lin Tien-You, Zheng-Shi-Fan, Jiang Jing-Quan, Dai Wen-Zhong, Su Qiu-Dong, Yeh Huo-Cheng, Hong Sui-Tu, Chen Jin-Zhong, Zhang Rui-Teng, and Chen Zai-Nan, as well as Japanese artists Kitahara Masayoshi, Ohara Yukio, Yoshino Masaaki, Nishimura Masatsugu, and Kusano Katsumi.[1] Since the fifth edition of the association’s exhibition, alumni such as Huang Ying-Kui, Yang Qi-Dong, Lin Jin-Hong, Li Mei-Shu, Huang Yi-Bin, Li Ze-Fan, as well as non-alumnus Lan Yin-Ding, had been invited to participate in the exhibition. The 11th edition was a posthumous exhibition held to highlight the artistic achievement of Chen Zhi-Qi, an alumnus expelled from school for “violating school rules.”</ref>[12][10][13]


References

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  1. ^ 1.0 1.1 1.2 蕭瓊瑞. 島嶼測量-臺灣美術定向. 三民書局. 2004-06-01: 224-236 [2023-08-24]
  2. ^ 施慧明. 風中勁竹:日據時期台灣新文化運動下的藝術. 臺北市立美術館. 2006: 165 [2023-08-28]
  3. ^ 3.0 3.1 3.2 張瓊慧. 以畫會友/文人交遊, 《遊筆.人生.鄭世璠》 (PDF). 藝術家出版社
  4. ^ 簡宏逸. 青春的身影:1920年代師範學生成長相簿——「芳蘭彩繪」. 國家攝影文化中心. [2023-08-24]
  5. ^ 芳蘭美術會籌備處. 第一回芳蘭美展紀念特刊. 臺北市: 芳蘭美術會. 1975: 6.
  6. ^ 陳, 水成. 第一回芳蘭美展紀念特刊. 臺北市: 芳蘭美術會. 1975: 7.
  7. ^ 星帆. 第一回芳蘭美展紀念特刊. 臺北市: 芳蘭美術會. 1975: 108.
  8. ^ 8.0 8.1 林, 振莖. 尋回遺失的拼圖--戰後北師芳蘭美術會(1975~1997)與臺灣美術(上). 歷史文物. 2019-12-01, 29 (4): 46-55.
  9. ^ 蕭, 瓊瑞. 北師一世紀:臺灣美術與美術教育史學術研討會. 臺北市: 國立台北師範學院、國立台灣藝術教育館. 1996: 207–230.
  10. ^ 10.0 10.1 林, 振莖. 尋回遺失的拼圖--戰後北師芳蘭美術會(1975~1997)與臺灣美術(下). 歷史文物. 2020-03-01, 30 (1): 46-51.
  11. ^ 林洋港, 梁在正, 臺灣省文獻委員會, 高育仁. 重修臺灣省通志 藝文志. 藝術篇. 卷十. 臺灣省文獻委員會. 1997 [2023-08-28].
  12. ^ 黃, 則修. 芳蘭美展第十一回紀念特刊. 臺北市: 芳蘭美術會. 1988: 64.
  13. ^ 方林. 日據時期台北師範學校的美術教育 (PDF). 美育. 1995-07, (61): 29–38 [2023-08-24].