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A ballet tutu is a skirt worn as a costume in a ballet performance, often with attached bodice. It might be single layer, hanging down, or multiple layers starched and strutting out. Tutus were often cherished as costumes, for the tanning makeup people used to wear was forbidden to touch the costumes. Ballet Ports de Bras arm movements were modified to not touch the elegant costumes.
The can-can (also spelled cancan, Can Can) is regarded today primarily as a music hall dance, performed by a chorus line of female dancers who wear costumes with long skirts, petticoats, and black stockings, harking back to the fashions of the 1890s. The main features of the dance are the lifting up and manipulation of the skirts, with high kicking and suggestive, provocative body movements.
Tap dance is a form of dance in which the shoes worn by the dancer, known as tap shoes, are used as percussive instruments. The percussive sounds are made by metal "taps" on the heel and toe of each shoe.
In ballet, a pas de deux is a dance duet in which two dancers, typically a male and a female, perform ballet steps together. It usually has five parts, consisting of an entrée (introduction), an adagio, two variations (a solo for each dancer), and a coda (finale). The pas de deux is characteristic of classical ballet and can be found in many well-known ballets. It is often considered to be the bravura highlight of a ballet and is usually performed by a leading pair of principal dancers.
The term "folk dance" is reserved for dances which are to a significant degree bound by tradition and originated in the times when the distinction existed between the dances of "common folk" and the dances of the "high society". Nowadays the role of folk dances has changed and it isn't uncommon to find folk dancers on the stage of concert halls. University of Tartu Folk Art Ensemble performing dance named "Kodukotus" in theatre Vanemuine.
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