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《最後生還者 (電視劇)》分集
A girl with a backpack stands in the center of the frame as an abandoned mall lights up in front of her, with varying colors.
Ellie（英語：Ellie (The Last of Us)） watches as 最後生還者角色列表 switches on the mall's electricity. The background was created using 視覺效果;[1] critics praised the color and lighting, and its similarities to the game（英語：The Last of Us: Left Behind）.[2][3][4]
劇集編號第1季
第7集
導演Liza Johnson（英語：Liza Johnson）
編劇尼爾·德魯克曼
音樂
Various
攝影師Ksenia Sereda
剪接
  • Timothy A. Good
  • Emily Mendez
首播日期2023年2月26日 (2023-02-26)
長度55 minutes
客串演員
分集時序
← 上一集
《Kin（英語：Kin (The Last of Us)）》 		下一集 →
《When We Are in Need（英語：When We Are in Need）》
The Last of Us season 1
The Last of Us (TV series)#Episodes

"Left Behind" is the seventh episode of the first season（英語：The Last of Us season 1） of the American 末日幻想 劇情片 television series 最後生還者 (電視劇). The episode was written by series co-creator 尼爾·德魯克曼 and directed by Liza Johnson（英語：Liza Johnson）. It aired on HBO on February 26, 2023. In the episode, Ellie（英語：Ellie (The Last of Us)） (貝拉·拉姆齊) searches for supplies to save Joel（英語：Joel (The Last of Us)）. A flashback follows Ellie as she spends time with her best friend 最後生還者 (電視劇)角色列表 (斯托姆·瑞德) in Boston.

The episode is adapted from The Last of Us: Left Behind（英語：The Last of Us: Left Behind） (2014), an 擴展包 to 最後生還者 on which the series is based. Johnson, who played the game after being assigned to direct, was encouraged to take an original approach. The episode was filmed in January and February 2022 in 卡爾加里. It received positive reviews, with praise for its writing, direction, cinematography, and performances of Ramsey and Reid; the latter won at the Black Reel Awards（英語：7th Annual Black Reel Awards for Television） and Primetime Creative Arts Emmy Awards（英語：75th Primetime Creative Arts Emmy Awards）. The episode was watched by 7.7 million viewers on its first day.

Plot

[編輯]

在一間廢棄的房子裏，艾莉（英語：Ellie (The Last of Us)）（貝拉·拉姆齊飾）試着處置喬爾（英語：Joel (The Last of Us)）（佩德羅·帕斯卡飾）的傷口[a]。喬爾要求艾莉棄他而去。艾莉動身準備離開時，想起了最終導致她被感染者咬傷的一段往事。

幾個月前，在波士頓一所由聯邦災難對策局（FEDRA）運作的寄宿學校，艾莉是孤兒出身的學員之一。艾莉與人打架後，鄺上尉（陳泰瑞飾）勸她遵守規矩，有朝一日就能成為FEDRA的領導者。當晚，艾莉的室友兼摯友萊莉（斯托姆·瑞德飾）從外面偷偷溜回宿舍。萊莉在外數週未歸，並加入了反抗對策局的革命組織「火螢」，艾莉對此感到生氣。

萊莉帶着艾莉到外面的一間死寂商場。兩人一起玩了電動扶梯、旋轉木馬和photo booth（英語：photo booth），並在電子遊樂場玩遊戲，艾莉樂不可支。但後來艾莉發現了萊莉為火螢保管的土製炸彈，想到這將導致的傷亡，艾莉與萊莉吵了起來。萊莉坦承火螢要將她派去亞特蘭大隔離區，她帶艾莉來商場是為了道別。艾莉一氣之下離開商場，但聽到尖叫聲後又折返，發現是萊莉的惡作劇。兩人一起跳舞，艾莉懇求萊莉不要離開。萊莉答應了她，兩人親吻彼此。

一名感染者被聲響吸引過來，並攻擊兩人。艾莉最終將之殺死，但驚恐地發現她和萊莉都被咬傷了。萊莉要求艾莉陪着她，並說道，不管餘命有多麼短暫，都值得努力地過活。回到現在，艾莉回想着萊莉的話。她在房裏找到針線，開始縫合喬爾的傷口。

Production

[編輯]

Conception and writing

[編輯]
44 year-old man with short black hair and a beard smirking to the left of the camera
The episode was written by series co-creator 尼爾·德魯克曼.[6]

"Left Behind" was written by 最後生還者 (電視劇) series co-creator 尼爾·德魯克曼 and directed by Liza Johnson（英語：Liza Johnson）.[6][7] The Directors Guild of Canada（英語：Directors Guild of Canada） revealed Johnson was assigned to direct for the series in January 2022.[8] Johnson played the game after being assigned to the series.[9] "Left Behind" is an adaptation of The Last of Us: Left Behind（英語：The Last of Us: Left Behind） (2014), an 擴展包 of 最後生還者 on which the series is based.[10] Druckmann and series co-creator Craig Mazin（英語：Craig Mazin） encouraged Johnson and cinematographer Ksenia Sereda to take liberties with the episode and not feel constrained to replicating the source material.[10]

For Riley's first appearance in the comic book 最後生還者：美國夢, artist Faith Erin Hicks（英語：Faith Erin Hicks） and developers at 頑皮狗 created an original fictional arcade game, The Turning, to circumvent issues with licensing;[11] for the television series, Druckmann and Mazin were able to use 真人快打II,[b] the game on which The Turning was based.[1]（47:19） Druckmann and Mazin avoided positioning any faction as purely good or evil, and showed the more positive side of FEDRA in "Left Behind" to juxtapose their negative depictions in 當你迷失在黑暗中.[1]（12:47） The episode was originally written without any reference to Joel; producers at HBO requested a connection to the main story, like Left Behind had.[1]（4:44）

Casting and characters

[編輯]

斯托姆·瑞德's casting as Riley was announced on January 14, 2022.[12] Reid was unfamiliar with the game prior to her casting; when approached to star in the show, she asked family and friends for their opinions on the game.[13] She watched snippets of gameplay to understand the emotion, but otherwise avoided the game to ensure an original take on the role;[14] she wanted to "hone in on" the manner in which Riley moves and "took up space".[13] Reid worked on the series for about a month.[14] She found the episode's portrayal of children refreshing as it had been absent from recent episodes.[15][16]

貝拉·拉姆齊, who portrays Ellie, found Ellie and Riley's chemistry relatable and noted it made their performance easier. Ramsey and Reid had little time to bond prior to production.[17] They became close over the course of production; Reid called Ramsey "Mom" in one take.[18] The scene at the arcade was improvised; Ramsey and Reid were playing a working version of Mortal Kombat II. Ramsey had not watched Ellie's infection scene prior to their performance, and afterwards noted their version was more angry than the game's fearful.[17] Reid found the final scene emotional to perform as it was one of the last filmed.[19] Ramsey encountered some difficulty with the school scenes as they had not attended school since they started acting when they were eleven.[20]

Music

[編輯]

A-ha's song "帶我走 (阿哈歌曲)" is used as Ellie discovers the escalator. A 翻唱 of the song was previously used in a trailer for the series, and Ellie (played by 艾希莉·強森) performs the song in the video game 最後生還者 第II章 (2020).[21] Following its use in the episode, "Take On Me" ranked first on 告示牌 (雜誌)'s Top TV Songs 告示牌榜單 for February.[22] Collider's Julio Bardini found the song's earlier lyrics reflected Ellie and Riley's feelings towards each other, while the later lyrics illustrated Ellie's journey after discovering her immunity:[21]

Needless to say
I'm odds and ends
But I'll be stumbling away
Slowly learning that life is okay
Say after me
It's no better to be safe than sorry[21]

Druckmann chose the song "All or None（英語：All or None (song)）" by 珍珠果醬樂隊 as it represented Ellie's loneliness and uncomfortability, and the title reflected her general attitude in life.[1]（7:28） The inclusion of the Rockabye Baby!（英語：Rockabye Baby!） version of "Just Like Heaven（英語：Just Like Heaven (The Cure song)）" was a suggestion of co-editor Timothy A. Good, who had been wanting to use it for some time.[1]（38:27） 伊特·珍's version of "I Got You Babe（英語：I Got You Babe）" was reused from the game; Druckmann felt the song's romantic lyrics hidden by joyous music mirrored the feelings of Ellie and Riley.[1]（56:28）

Filming

[編輯]

Production designer John Paino hoped to find an American-style mall within 卡爾加里 for production, having spent much of his childhood in malls.[23] The crew was granted permission to transform the Northland Village Mall（英語：Northland Village Mall） for production as it was scheduled for demolition.[1]（29:37）[9] Decoration of the mall took place in January 2022, with dried leaves, broken pylons, and other debris.[24] Paino and his team built around 20 to 25 storefronts in the mall, each rundown versions of real businesses such as Foot Locker, 熊貓快餐, and 維多利亞的秘密.[23] It was unsuitable for some shots as it mostly consisted of a single story, rather than two stories like the area in the game, prompting the usage of a 攝影棚 and 視覺效果; the background of the shot in which the lighting is switched on was crafted through visual effects, for which Mazin and Druckmann had several meetings with visual effects supervisor Alex Wang.[1]（29:37）

The carousel—the Chinook Carousel（英語：Chinook Centre）, manufactured by the Allan Herschell Company（英語：Allan Herschell Company） in 1941—was rented from Spruce Meadows（英語：Spruce Meadows） and set up at Northland Village Mall for filming;[23][25] center panels referencing the 卡加利牛仔節 were replaced by reflective panels to add a "hallucinatory feel".[23] The arcade consisted of real arcade machines like 青蛙過河 and 俄羅斯方塊, as Mazin and Druckmann wanted to evoke realism; the 陰極射線管 screens were replaced by 發光二極管s to allow a clear image when filmed.[23] Sereda used three simultaneous cameras for the arcade sequence, allowing editors Timothy A. Good and Emily Mendez to easily cross-cut（英語：Cross-cutting） between takes（英語：takes）.[26] Abandoned stores at the mall were used as green room（英語：green room）s for actors.[20] Production moved in 奧克托克斯 in January, with added trees, grass, and snow; filming occurred in February.[27]

Reception

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Broadcast and ratings

[編輯]

The episode aired on HBO on February 26, 2023.[28] The episode had 7.7 million viewers in the United States on its first night, including 廣播節目編排 and streams on Max (流媒體).[29] On linear television, it had 1.083 million viewers, with a 0.37 ratings share（英語：ratings share）.[30] On HBO Max, it was streamed for approximately 261 million minutes within its first three hours.[31] According to several viewers, Ellie and Riley's kiss was censored on OSN+（英語：OSN+） in the MENA region.[32][33]

Critical response

[編輯]
18 year-old girl talking to something to the left.
16 year-old girl with long, braided hair talking to something to the right.
The performances of 貝拉·拉姆齊 (left) and 斯托姆·瑞德 (right) were widely praised by critics,[34][35][36] and the latter won awards at the Black Reel Awards（英語：7th Annual Black Reel Awards for Television） and Primetime Emmy Awards（英語：75th Primetime Creative Arts Emmy Awards）.[37][38]

On review aggregator 爛番茄, "Left Behind" has an approval rating of 97 percent based on 32 reviews, with an average rating of 8.4/10. The website's critical consensus called it a "heartbreaking duet between Bella Ramsey and Storm Reid".[39] Several critics praised the visuals of the mall;[2][3] Den of Geek（英語：Den of Geek）'s Bernard Boo enjoyed the blend of artificiality and romance,[35] and Push Square（英語：Push Square）'s Aaron Bayne applauded its similarities to the game.[4] Total Film（英語：Total Film）'s Bradley Russell found the opening sequence ethereal, mirroring Joel's fading consciousness.[40] 影音俱樂部's David Cote lauded the fight sequence as the best close-combat scene in the series to date.[34] The episode's use of music was well received.[35][41]

Ramsey and Reid's performances received praise;[41][42] Bleeding Cool（英語：Bleeding Cool）'s Tom Chang called them "award-worthy".[43] Several critics found their chemistry convincing and the episode's highlight.[34][35][36] Bleeding Cool's Chang and /Film（英語：/Film）'s Rafael Motamayor considered the episode Ramsey's strongest to date,[2][43] and IGN's Simon Cardy and Push Square's Bayne found it an effective showcase of their acting talents.[4][41] Total Film's Bradley Russell lauded Ramsey's reaction of Ellie's infection, particularly following their quieter reactions earlier.[40] /Film's Motamayor wrote Reid "gives a memorable performance that ... sticks with you long after the credits roll",[2] and Push Square's Bayne felt she effectively captured Riley's sense of "youthful pride".[4] Bleeding Cool's Chang felt the performances benefited from Johnson's experience in directing female-led drama series.[43] For her performance, Reid won Outstanding Guest Actress（英語：Primetime Emmy Award for Outstanding Guest Actress in a Drama Series） at the 75th Primetime Creative Arts Emmy Awards（英語：75th Primetime Creative Arts Emmy Awards）[38] and Outstanding Guest Performance in a Drama Series at the 7th Annual Black Reel Awards for Television（英語：7th Annual Black Reel Awards for Television）.[37]

IGN's Cardy called the episode a "beautifully faithful adaptation".[41] 大西洋 (雜誌)'s Shirley Li considered the story a "quiet celebration of the world that once existed".[44] Den of Geek's Boo found the present-day scenes short and poetic.[35] io9（英語：io9）'s Germain Lussier praised the use of flashbacks to contextualize Ellie's predicament in the present as "a stroke of genius", and lauded Ellie's reactions to the mall lights and arcade;[42] The Escapist's Darren Mooney similarly found Ellie and Riley's reactions impactful.[45] Slate's Nadira Goffe applauded the use of a mall as a quintessential 成年禮 setting.[46] Total Film's Bradley Russell found the resolve of the previous episode's cliffhanger abrupt, and the ending of the episode rushed in comparison to previous scenes.[40] Kotaku's Kenneth Shepard felt the replacement of The Turning with Mortal Kombat II was corporate-led and failed to recreate one of the game's strongest scenes.[47] /Film's Motamayor wrote the episode suffered the trope of black characters dying only to motivate white characters.[2]

Notes

[編輯]
  1. ^ 喬爾在上集被掠奪者刺傷[5]。
  2. ^ 真人快打系列 publisher 華納兄弟互動娛樂 is a subdivision of 華納兄弟探索, the parent company of The Last of Us network HBO.[1]（47:19）

References

[編輯]
  1. ^ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 Baker, Troy; Mazin, Craig; Druckmann, Neil. Episode 7. HBO's The Last of Us Podcast (Podcast). HBO. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  2. ^ 2.0 2.1 2.2 2.3 2.4 Motamayor, Rafael. The Last Of Us Episode 7 Brings Emotional Damage. /Film（英語：/Film）. Static Media（英語：Static Media）. February 26, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  3. ^ 3.0 3.1 Greene, Steve. 'The Last of Us' Episode 7 Is a Vision of What Could Have Been. IndieWire. Penske Media Corporation. February 26, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  4. ^ 4.0 4.1 4.2 4.3 Bayne, Aaron. TV Show Review: The Last of Us (HBO) Episode 7 - Emotional Mall Trip Is a Stunner. Push Square. Hookshot Media（英語：Hookshot Media）. February 27, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  5. ^ Welch, Andy. The Last of Us recap episode seven – the most painful farewell of all. The Guardian. February 27, 2023 [January 7, 2024]. （原始內容存檔於February 27, 2023）. 
  6. ^ 6.0 6.1 Bento, Manuel São. The Last of Us Season 1 Spoiler-Free Review. That Shelf. January 15, 2023 [January 25, 2023]. （原始內容存檔於January 15, 2023）. 
  7. ^ El arma secreta de 'The Last of Us' está en sus directores [The secret weapon of 'The Last of Us' is in its directors]. Cinemanía（英語：Cinemanía）. January 19, 2023 [January 25, 2023]. （原始內容存檔於January 19, 2023）.  已忽略未知參數|lang=（建議使用|language=） (幫助)
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  9. ^ 9.0 9.1 Roots, Kimberly. The Last of Us Director Liza Johnson on Crafting the Perfect Post-Apocalyptic Teen Mall Date in Episode 7. TVLine（英語：TVLine）. Penske Media Corporation. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  10. ^ 10.0 10.1 McFarland, Melanie. "What is desire?": "The Last of Us" director on the apocalyptic wonder of a trip to the mall. Salon.com. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  11. ^ Brown, Tracy. 'The Last of Us' finally gives viewers Ellie's backstory. It was 10 years in the making. Los Angeles Times. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  12. ^ Del Rosario, Alexandria. 'Euphoria's Storm Reid Joins HBO's 'The Last Of Us' Series Adaptation As Riley. Deadline. Penske Media Corporation. January 14, 2022 [January 15, 2022]. （原始內容存檔於January 14, 2022）. 
  13. ^ 13.0 13.1 Romano, Nick. Storm Reid isn't concerned with homophobic The Last of Us fans: 'We are telling important stories'. Entertainment Weekly (Dotdash Meredith). February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  14. ^ 14.0 14.1 Rosenstock, Ben. The Last of Us's Storm Reid on Riley and Ellie's 'Unconditional and Sacrificial' Love. Vulture. Vox Media. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  15. ^ Harrison, Ellie. The Last of Us's Storm Reid on 'beautiful' experience of playing young Black queer character. The Independent. February 27, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  16. ^ Zheng, Jenny. The Last of Us Episode 7 Star Storm Reid Unpacks Relationship Between Riley & Bella Ramsey's Ellie. Teen Vogue（英語：Teen Vogue）. Condé Nast. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  17. ^ 17.0 17.1 Stephan, Katcy. 'The Last of Us': Storm Reid and Bella Ramsey Talk Through Their Heartbreaking Episode, and Clap Back at Homophobic Trolls. Variety. Penske Media Corporation. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  18. ^ Traffaut-Wong, Olivia. The Last Of Us Ellie & Riley Don't Just Survive. They Live & Love. Refinery29（英語：Refinery29）. Vice Media. February 27, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  19. ^ Bonaime, Ross. Storm Reid on Her 'The Last of Us' Episode and Where Riley and Ellie Could've Gone. Collider. Valnet. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  20. ^ 20.0 20.1 Monteil, Abby. How Bella Ramsey and Storm Reid Blurred the Line Between Best Friend and Crush in The Last of Us. Them（英語：Them (website)）. Condé Nast. February 26, 2023 [February 27, 2023]. （原始內容存檔於February 27, 2023）. 
  21. ^ 21.0 21.1 21.2 Bardini, Julio. 'The Last of Us': The Importance Behind That A-ha Song in Episode 7. Collider. Valnet. March 1, 2023 [March 9, 2023]. （原始內容存檔於March 1, 2023）. 
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  23. ^ 23.0 23.1 23.2 23.3 23.4 Tangcay, Jazz. Building the 'Last of Us' Mall: Production Designer Explains How They Made That Arcade, Carousel and More (EXCLUSIVE). Variety. Penske Media Corporation. February 27, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
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  25. ^ When TV Meets Tradition: Our Carousel in The Last of Us. Spruce Meadows（英語：Spruce Meadows）. February 28, 2023 [March 7, 2023]. （原始內容存檔於March 6, 2023）. 
  26. ^ Hayes, Dade. 'The Last Of Us': Showrunner Craig Mazin Joins Craft Collaborators For Deep Dive On Show's Look And Sound, Hopes Series Will "Be Around For A While" Beyond Season 2 – NAB. Deadline Hollywood. Penske Media Corporation. April 16, 2023 [April 17, 2023]. （原始內容存檔於April 16, 2023）. 
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  30. ^ Metcalf, Mitch. ShowBuzzDaily's Sunday 2.26.2023 Top 150 Cable Originals & Network Finals Updated. Showbuzz Daily（英語：Showbuzz Daily）. February 28, 2023 [March 1, 2023]. （原始內容存檔於March 1, 2023）. 
  31. ^ Campione, Katie. 'Outer Banks' Leads Nielsen U.S. Streaming Chart After Season 3 Debut, 'The Last Of Us' Dominates Acquired Programming With Episode 7. Deadline Hollywood. Penske Media Corporation. March 23, 2023 [March 26, 2023]. （原始內容存檔於March 23, 2023）. 
  32. ^ Makuch, Eddie. The Last Of Us Episode 7 Was Reportedly Censored In Some Regions. GameSpot. Fandom, Inc. February 27, 2023 [February 28, 2023]. （原始內容存檔於February 28, 2023）. 
  33. ^ Zwiezen, Zack. Not Everyone Got To See The Last of Us Show's Big Kiss. Kotaku. G/O Media. February 27, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  34. ^ 34.0 34.1 34.2 Cote, David. In a bittersweet The Last Of Us, Ellie gets a fleeting taste of normal teen life. The A.V. Club. G/O Media. February 26, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  35. ^ 35.0 35.1 35.2 35.3 35.4 Boo, Bernard. The Last of Us Episode 7 Review: Will Ellie Leave Joel Behind?. Den of Geek（英語：Den of Geek）. February 26, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  36. ^ 36.0 36.1 Sepinwall, Alan. 'The Last of Us' Gives Ellie a Tragically Beautiful Gay Love Story of Her Own. Rolling Stone (Penske Media Corporation). February 26, 2023 [February 28, 2023]. （原始內容存檔於February 27, 2023）. 
  37. ^ 37.0 37.1 Complex, Valerie. Black Reel Awards Reveals Winners Of Film And Television Categories; 'American Fiction' And 'The Color Purple' Took Home Top Honors. Deadline Hollywood. Penske Media Corporation. January 16, 2024 [February 7, 2024]. （原始內容存檔於January 17, 2024）. 
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[編輯]


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