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《最后生还者 (电视剧)》分集
A cul-de-sac is overrun by dozens of infected creatures, included a very large one near the center. A building to the right is on fire.
A horde of infected, including a large bloater, overrun a 死路. Filmed over four weeks, the action sequence required extensive planning and a nine-week set construction.[1]
剧集编号第1季
第5集
导演Jeremy Webb
编剧Craig Mazin（英语：Craig Mazin）
音乐
"Fuel to Fire" by Agnes Obel（英语：Agnes Obel）
摄影师Eben Bolter
剪接
  • Timothy A. Good
  • Emily Mendez
首发日期2023年2月10日 (2023-02-10)[a]
长度59 minutes
客串演员
分集时序
← 上一集
《Please Hold to My Hand（英语：Please Hold to My Hand）》 		下一集 →
《Kin（英语：Kin (The Last of Us)）》
The Last of Us season 1
The Last of Us (TV series)#Episodes

"Endure and Survive" is the fifth episode of the first season（英语：The Last of Us season 1） of the American 末日幻想 剧情片 television series 最后生还者 (电视剧). The episode was written by series co-creator Craig Mazin（英语：Craig Mazin） and directed by Jeremy Webb. It was released online on Max (流媒体) and HBO on February 10, 2023, ahead of its broadcast on HBO on February 12. In the episode, Joel（英语：Joel (The Last of Us)） (佩德罗·帕斯卡) and Ellie（英语：Ellie (The Last of Us)） (贝拉·拉姆齐) agree to escape 堪萨斯城 (密苏里州), with Henry (拉玛尔·约翰逊 (演员)) and his brother Sam (Keivonn Montreal Woodard（英语：Keivonn Montreal Woodard）), who are being hunted by bandit leader Kathleen (梅兰妮·林斯基) and her second-in-command 最后生还者 (电视剧)角色列表 (Jeffrey Pierce（英语：Jeffrey Pierce）).

The episode was primarily filmed in April 2022. A full set was built in an empty lot in nine weeks for use in an action sequence in the episode. Filmed over four weeks, the sequence used around 70 actors dressed by 70 prosthetics artists. "Endure and Survive" introduced a "bloater", a mutated creature significantly larger and stronger than most other infected; the costume was built using prosthetics and later emphasized using visual effects.

The episode received positive reviews, with praise for its writing, direction, cinematography, and performances of Johnson, Woodard, Lynskey, and Ramsey. It was watched by 11.6 million viewers within three days. The episode received several nominations at the 75th Primetime Creative Arts Emmy Awards（英语：75th Primetime Creative Arts Emmy Awards）, including for Johnson, Lynskey, and Woodard, and editors Timothy A. Good and Emily Mendez won Outstanding Picture Editing（英语：Primetime Emmy Award for Outstanding Picture Editing for a Drama Series）.

Plot

[编辑]

堪萨斯城的人民起义推翻政府并掌控局势后，领袖凯萨琳·柯格兰（梅兰妮·林斯基饰）开始追捕亨利·布瑞尔（拉玛尔·约翰逊饰），将兄长兼前领袖麦可（Michael）之死归咎于其身上。亨利和失聪的弟弟山姆（Keivonn Montreal Woodard（英语：Keivonn Montreal Woodard）饰）求助于从事走私的老人艾德斯坦（Edelstein，John Getz（英语：John Getz）饰），藏身在他家的阁楼。十天后，艾德斯坦外出找寻物资却一去不回[b]，兄弟俩于是尾随外来者乔尔（英语：Joel (The Last of Us)）（佩德罗·帕斯卡饰）与艾莉（英语：Ellie (The Last of Us)）（贝拉·拉姆齐饰），双方同意合作逃亡。另一方面，凯萨琳告诉左右手派瑞（Jeffrey Pierce（英语：Jeffrey Pierce）饰），麦可在被处刑前要她原谅亨利的告密行为，但她发誓要不择手段以报此仇，派瑞对此表示认同。

亨利提议透过地下的废弃通道逃到城外，可以躲过凯萨琳手下的追捕。乔尔半信半疑但还是照做，而艾莉则与山姆在途中培养出感情。亨利坦承他当时供出麦可，背后原因是为了取得药物，治疗山姆的白血病。四人离开隧道后，一名藏身建筑的狙击手阻住他们的去路。乔尔从后方绕过去将狙击手杀死，但凯萨琳已得到消息，带著一群民兵抵达现场。凯萨琳正要射杀亨利时，一辆受损的军用卡车压垮了路面，让一大群感染者从洞口涌出，其中有一只重度突变个体“巨无霸”（bloater），它将派瑞撕成碎片。在一片混乱中，乔尔不断开枪提供掩护，艾莉则出手搭救亨利与山姆。凯萨琳持枪拦截艾莉等三人，但被一只孩童样貌的“循声者”（clicker）突袭而死。乔尔、艾莉、山姆与亨利顺利逃到城外，感染者则往城里前进。

当晚，四人在一间汽车旅馆栖身。乔尔邀请亨利一起前往怀俄明州，亨利答应。在卧房里，山姆将混乱中被感染者咬伤的部位给艾莉看，艾莉试图将自己的血沾在伤口上，希望能治好山姆。艾莉答应会醒著陪他度过夜晚，但仍不由自主地睡著了。隔天早上，山姆发病并攻击艾莉，乔尔试图举枪，但枪被亨利夺去。亨利在情急之下还是扣下扳机，将弟弟射杀。意识到自己所为后，亨利不顾乔尔的阻止举枪自尽。乔尔与艾莉埋葬了兄弟俩，离去之前，艾莉在山姆的坟上留下一张纸条，写著她的道歉。

Production

[编辑]

Conception and writing

[编辑]
A 51 year-old man with a grey beard smiling to the left of the camera.
The episode was written by series co-creator Craig Mazin（英语：Craig Mazin）.[4]

"Endure and Survive" was written by Craig Mazin（英语：Craig Mazin） and directed by Jeremy Webb.[4] The Directors Guild of Canada（英语：Directors Guild of Canada） revealed Webb would direct for the series in January 2022.[5] 烂番茄 revealed the episode's title in January 2023.[6] 最后生还者 (电视剧) series co-creators Mazin and 尼尔·德鲁克曼, the latter of whom wrote and co-directed 最后生还者 on which the series is based, found the differing perspectives of the television series granted an opportunity to explore the backstory of Kansas City—a replacement of 匹兹堡 from the game—and show the stories behind the violence, the aftermath of which Joel and Ellie discover in the game.[7]（1:14）

The writers wanted to honor the game's unseen character 最后生还者角色列表—who built a community in tunnels underneath the city—but found they could not properly depict it in the episode, opting for brief references.[7]（26:08） Mazin felt a standalone episode focusing on Ish may have worked but found 电子游戏术语列表 more effective.[7]（27:37） The writers understood the game's sniper sequence would have translated poorly to television and chose to make the shooter an old man to add sadness to the scene.[7]（32:36） While meeting with Druckmann and Webb in 圣莫尼卡, Mazin realized the full action sequence would be more effective at night—as opposed to day like the game—as its visuals and the creepiness of infected would be improved.[7]（37:06） The episode's credits use the song "Fuel to Fire" by Agnes Obel（英语：Agnes Obel）,[4] which subsequently ranked fifth on 告示牌 (杂志)'s Top TV Songs 告示牌榜单 for February, with 378,000 streams and 1,000 downloads.[8]

Casting and characters

[编辑]

拉玛尔·约翰逊 (演员) and Keivonn Montreal Woodard（英语：Keivonn Montreal Woodard）'s casting as Henry and Sam was announced in August 2021.[9][10] Johnson recalled his casting process occurred quickly: he sent his audition tape on Monday, received the role by Wednesday, departed for the set by Saturday,[11] and began filming by Wednesday.[12] He had played the game and wanted to avoid imitating the original performance due to its impact.[13][14] He was nervous about the role due to the character's importance, but found his nervousness prompted him to challenge himself. Mazin provided information to Johnson regarding Henry's backstory to help him understand the character.[11] Johnson felt Henry was hurt by his own actions against Michael, but Sam was ultimately more important to him.[15] Mazin and Druckmann had several long discussions regarding Henry's fate and considered many alternatives, but ultimately considered his suicide, like in the game, reflected that he had nothing left after Sam's death.[7]（59:37） Johnson found the final scenes emotionally draining due to his relationship with Woodard;[13] he "tried to be as present and authentic as possible" as he considered it the most important and iconic scene of the characters,[16] and felt 佩德罗·帕斯卡 did the same opposite him as Joel.[17] He was allowed to experiment with the scene, including performing lines similar to the game;[18] he wanted to portray Henry's shock and confusion at the sudden events.[19] Johnson believed Henry's final decision was to join Sam, as he felt they were likely religious.[12] He recalled crying behind the camera with Webb during Ellie's final scene with Sam.[11]

贝拉·拉姆齐, who portrays Ellie, felt Sam brought out Ellie's childlike energy, which they largely attributed to Woodard.[20]（2:24） Mazin wrote Sam as deaf—a change from the game—to avoid his relationship with Henry feeling repetitious of Ellie's with Joel, which he felt would have been emphasized due to the different perspectives of the series.[7]（3:00） He had been watching the television series This Close（英语：This Close） (2018–2019)—which follows two deaf characters—and felt it may have influenced his decision.[7]（4:12） He found it automatically introduced intimacy to the scenes due to their quietness, which contrasted with Ellie's talkative nature.[7]（5:04） Druckmann was instantly drawn to the idea and wished he had included it in the game.[7]（5:32） Mazin hired This Close co-creator Shoshannah Stern（英语：Shoshannah Stern） to review the scripts.[7]（5:55） The production team faced difficulties in casting Sam; they were met with minimal candidates.[7]（6:26） In February 2021, Mazin distributed a casting call for a boy aged 8–14 who is deaf, black, and proficient in 美国手语 (ASL) or 美国黑人手语; Deaf West Theatre（英语：Deaf West Theatre） confirmed this was for the character of Sam.[21] He had expected to receive around 80 auditions, but ultimately got about five, including Woodard;[7]（7:53） it was his first acting role.[18]

Mazin felt Sam's leukemia was a more significant part of his story than his deafness.[7]（9:35） CJ Jones（英语：CJ Jones）, whom Mazin met through Stern, acted as Woodard's liaison to the crew and helped teach ASL to cast and crew;[7]（11:14） Johnson began learning the language via Zoom (软体) shortly after arriving in Calgary,[11] and spent his time away from set learning the language.[22] He did not want viewers to think his knowledge of the language was fake,[7]（11:14） and considered his performance important for deaf representation.[23][24] He felt spending time around Woodard for production gave him a better grasp on the language; Woodard would sometimes correct his mistakes in scenes.[25] Ramsey similarly learned ASL during production.[20]（1:16） Sam's age was reduced from the game to allow him to look up to Ellie;[7]（3:47） Mazin felt this justified his revelation of his bite to Ellie, which does not occur in the game.[7]（53:55） In portraying Sam's bravery, Woodard recalled his own experiences of being told to stay brave after his father died.[16] Johnson and Woodard worked on the series for two-and-a-half months.[19][26]

Mazin and Druckmann did not want characters like Kathleen to feel like 非玩家角色 from a video game, opting to give them full stories to humanize them and justify their actions.[7]（15:58） They felt adding a connection between Kathleen and Henry—and, by extension, to Joel and Ellie—made the storylines more effective and justified the different perspectives.[7]（21:00） Mazin wanted Kathleen's death to represent the notion of violent actions meeting violent ends, and Druckmann felt her obsession with justice led her to become distracted from her own survival.[7]（48:14） 梅兰妮·林斯基 knew of Kathleen's fate when she accepted the role. She found the scene easy to film due to the coordination of the team, as they had been planning for weeks.[27] Mazin found it important that Kathleen was killed by a child, as minutes earlier she had told Henry that children die all the time.[7]（50:27） Lynskey recorded her death sounds as 配音 (ADR); Mazin and Druckmann directed her to "sound like someone was ripping your throat out".[28] Lynskey's husband 杰森·里特 had a cameo appearance as an infected creature.[29]

Jeffrey Pierce（英语：Jeffrey Pierce） felt Perry was in love with Kathleen, which prompted several of his actions.[30] He considered Perry's sacrifice selfless as it was to allow Kathleen to escape,[31] and thought it reflected Perry's constant wish to be a hero.[13] Mazin had told Pierce earlier that he was "gonna get the best death of the entire season".[31] Pierce played the role akin to a 浪人 from an 黑泽明 film and saw his death as an honorable "samurai death", sacrificing himself for the woman he loves.[32]

Filming

[编辑]
An oil painting of a blue four-story house.
The design of the sniper house in the action sequence was partly inspired by 爱德华·霍普's painting House by the Railroad（英语：House by the Railroad） (1925).[1]

"Endure and Survive" was primarily filmed in April 2022, shortly before production finished on the season finale.[1] Eben Bolter worked as 摄影指导 for the episode.[33] Johnson and Woodard were on set in Calgary on March 23, 2022.[34][35][36] The classroom and tunnels were built in the cellar underneath the old Inglewood Brewery in Calgary; production designer John Paino and his team enjoyed the "kind of dankness" it had.[1][37] The team mapped the room with laser scanning（英语：laser scanning） to allow the visual effects team to extend the hallways.[1] Production took place around the Calgary Courts Centre（英语：Calgary Courts Centre） and Victoria Park（英语：Victoria Park, Calgary） in May.[38][39] Pascal and Ramsey were spotted on set in Calgary in May, followed some days later by military vehicles representing FEDRA.[40][41]

The action sequence took significant planning—Bolter estimated around 80% of the episode's planning focused on the scene—and was filmed in four weeks; about a week-and-a-half was dedicated to the infected horde rising from the ground.[1] The sequence was one of few in the series prepared on a 分镜 due to the combination of elements like pyrotechnics and visual effects, which presented potential dangers.[42] The neighborhood was built in an empty lot near the Calgary Film Centre to allow full control of the significant special effects required.[7]（34:50） Modelers crafted to-scale versions of the area based on 光学雷达 scans of Kansas City,[42] and the game and real Kansas City neighborhoods were referenced.[7]（34:50） The nine-week building process,[1] led by Paino, art director Don Macaulay, and construction coordinator Donadino Valentino Centanni,[7]（34:50） involved crafting 沥青路面 driveways, paving 砾石, arranging damaged vehicles, and constructing front and sides of thirteen houses;[1] they engaged several housebuilders for construction.[7]（34:50） The sniper's three-story building[42] was modeled after 爱德华·霍普's painting House by the Railroad（英语：House by the Railroad） (1925) and the Bates residence from 惊魂记 (1960). The interior was aged for two weeks with water, and Calgary's snow and ice added more water damage, which Paino appreciated.[1]

Webb cited 抢救雷恩大兵 (1998) as inspiration for some of the shots during the sequence, particularly from Joel's perspective in the house or Ellie's on the street. A camera with a 瞄准镜 was used for Joel, and three handheld camera（英语：handheld camera）s were used to track the action sequence from the ground, with long 镜头 "to compress the space, to make it feel scary and cinematic and real".[1] The shots of the truck crashing into the house and the subsequent explosion could only be filmed once.[1] Bolter faced difficulty lighting the sequence.[33] 街灯s located two blocks away were switched off to allow Bolter to fully craft the lighting. He took inspiration from 体育场s by surrounding the set with 背光s and lighting from above with ambient light（英语：Low-key lighting）.[1] 特罗伊·贝克, who portrayed Joel in the video games and James in the television series, visited the set while he was in the city for a convention.[32] The ending scenes at the motel were filmed in Nanton, Alberta（英语：Nanton, Alberta）.[43] The episode completed production in the early hours of June 11, marking the final day of 主体拍摄 for the season,[44][45] two days later than originally scheduled.[46][47]

Prosthetics and visual effects

[编辑]

Barrie and Sarah Gower led the prosthetics teams for the series. Around 60 actors were used in the infected mob, and 10 to 15 wore clicker masks,[1] all crafted by 70 prosthetic artists;[48] they applied prosthetics to about 30 people in each three-hour shift.[1] The makeup process began around 3:00 p.m. to prepare for shooting, which began at 9:00 p.m.[49] Due to the amount of infected in the episode, the production team worked with Terry Notary（英语：Terry Notary） to coordinate their movements; he set up a boot camp to prepare the actors for the role.[20]（3:44） The child clicker—designed by 顽皮狗 artist Hyoung Taek Nam, who originally designed clickers for the game—was portrayed by a young 柔身术 actress,[7]（49:22） Skye Belle Cowton;[28] prosthetics and visual effects were combined to make the creature. Mazin insisted Cowton wear a Blue's Clues（英语：Blue's Clues） shirt to contrast the innocence and horror.[7]（49:22）

The writers spent months trying to decide whether or not to include a bloater in the series before ultimately adding it.[7]（46:22） It was portrayed by actor Adam Basil, with whom Barrie Gower had worked on 权力的游戏 (电视剧).[1] A cast of Basil's body was created to help create the bloater. The 40-千克（88-英磅） suit was coated in a gel-like liquid during filming to appear wet and reflective.[49] Gower said his team wanted the creature to have a "practical presence" for interaction on set, which could later be emphasized with visual effects; the bloater was made taller and given additional muscle definition.[1] In the script, Mazin wrote that the bloater tore Perry in two at the waist, but Druckmann wanted his death to be more grounded; as visual effects were implemented, Mazin realized decapitation looked more realistic and paid homage to the games.[7]（46:22）

The visual effects team consulted with Mazin and Druckmann to emphasize her childlike features, adding 双马尾s and showing more of her face.[1] Sixteen visual effects teams worked on the action sequence; while the season averaged 250 visual effects shots per episode, "Endure and Survive" had around 350 to 400.[1] 维塔数码 created the visual effects of the infected;[7]（41:05） 50 to 70 infected were added to the horde through visual effects.[1] Mazin compared the infected emerging from the ground to an 蚁窝, as well as a scene of goblins in the mines in 指环王：护戒使者 (2001), which he considered terrifying.[7]（44:14）

Reception

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Broadcast and ratings

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The episode was released online on Max (流媒体) and HBO on February 10, 2023, ahead of its broadcast on television to avoid conflicting with 第五十七届超级碗. It aired on HBO in its weekly slot on February 12.[2] The episode had 11.6 million viewers in the United States on its first weekend, including 广播节目编排 and streams on HBO Max.[50] On linear television, it had 382,000 viewers, with a 0.09 ratings share（英语：ratings share）.[51]

Critical response

[编辑]
A 24-year-old man with black hair smiles towards the camera.
A 10-year-old boy with black hair smirks to the right of the camera.
A 38-year-old woman with brown hair smiles to the left of the camera.
The performances of 拉玛尔·约翰逊 (演员), Keivonn Montreal Woodard（英语：Keivonn Montreal Woodard）, and 梅兰妮·林斯基 (L–R) were praised by critics,[52][53][54] and earned them nominations at the 75th Primetime Creative Arts Emmy Awards（英语：75th Primetime Creative Arts Emmy Awards）.[55]

On review aggregator Rotten Tomatoes, "Endure and Survive" has an approval rating of 95 percent based on 38 reviews, with an average rating of 9.1/10. The website's critical consensus called the episode "a sobering reminder of how unsparing this apocalyptic world can be".[56] IndieWire named "Endure and Survive" the seventh-best television episode of 2023; Ben Travers praised its portrayal of love and loss in the midst of authoritarian rule.[57]

The performances of Johnson, Woodard, Lynskey, and Ramsey received particular praise.[52][54][58] Den of Geek（英语：Den of Geek）'s Bernard Boo called Ramsey's reaction to Henry's death "utterly heartbreaking",[53] and Russell found their performance throughout the episode made the moment more effective, and was ultimately worthy of awards consideration.[59] TVLine（英语：TVLine） named Johnson an honorable mention for Performer of the Week;[60] IGN's Cardy lauded his emotional performance in his final scene,[61] and Total Film（英语：Total Film）'s Bradley Russell felt the naivety of Woodard's role intensified the narrative.[59] Boo thought Lynskey and Pierce's performances effectively conveyed Perry's devotion to Kathleen.[53] The A.V. Club's Cote found Lynskey's delivery "edges dangerously close to end-times 坎普风".[4]

Reviewers lauded Mazin's writing.[61][62][63] IndieWire's Travers called the episode "a potent examination of heroes and villains".[54] The Escapist's Darren Mooney found it "surprisingly literary", citing the imagery of the rising infected being built thematically beforehand, and found the zombie apocalypse（英语：zombie apocalypse） tropes were employed more elegantly than in the show's 当你迷失在黑暗中 and 感染者 (最后生还者) episodes.[64] Total Film's Russell considered some moments—like Henry painting Sam's face—just as powerful as the show's acclaimed third episode（英语：Long, Long Time (The Last of Us)）, but found Kathleen's death underwhelming.[59] 数码间谍's Janet A. Leigh found the episode's deaths pointless, noting Henry and Sam were not given enough meaningful scenes and questioning Kathleen's inclusion if only to kill her abruptly.[65] 广播时报's Liam O'Dell criticized the episode's deaf representation and felt the writers made Sam deaf to manipulate emotions and depict Henry as a savior.[66]

滚石 (杂志)'s Alan Sepinwall（英语：Alan Sepinwall） praised the action sequences for remaining character-driven,[63] and Kotaku's Jackson thought the pacing of the sniper scene made it more effective than the game.[67] Game Rant（英语：Game Rant）'s Rabab Khan wrote that the cinematography captured the tension during the sniper sequence, and the changing shots effectively represented the horror of the subsequent action scenes.[68] IGN's Simon Cardy found the cinematography reflected the intense atmosphere and the cuts from 特写s to wide shot（英语：wide shot）s emphasized the terror and scale.[61] 影音俱乐部's David Cote lauded the production design,[4] and Kotaku's Claire Jackson praised the sniper's sound design.[67] Den of Geek's Boo found the action entertaining enough to forgive the lack of character development earlier in the episode;[53] and Push Square（英语：Push Square）'s Aaron Bayne felt the Kansas City scenes were less memorable and frightening than the game's Pittsburgh.[52] 偏锋杂志's Pat Brown found the action sequence insufficiently tense as the episode failed to "build the undead up as objects of real dread".[69] Polygon's Pete Volk criticized it for its low lighting and the bloater for its weightlessness and lack of presence in the world, comparing it to the child clicker which he found effective due to its inhuman movements.[70] Mashable's Belen Edwards praised Cowton's performance and movements.[71]

Accolades

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At the 75th Primetime Creative Arts Emmy Awards（英语：75th Primetime Creative Arts Emmy Awards）, editors Timothy A. Good and Emily Mendez won Outstanding Picture Editing for a Drama Series（英语：Primetime Emmy Award for Outstanding Picture Editing for a Drama Series） for their work on the episode. The episode was nominated for Outstanding Contemporary Costumes（英语：Primetime Emmy Award for Outstanding Contemporary Costumes for a Series）,[c] while Johnson and Woodard were nominated for Outstanding Guest Actor（英语：Primetime Emmy Award for Outstanding Guest Actor in a Drama Series） and Lynskey for Guest Actress（英语：Primetime Emmy Award for Outstanding Guest Actress in a Drama Series） for their performances; Johnson and Woodard lost to 尼克·奥佛曼 from the season's third episode, and Lynskey to 斯托姆·瑞德 from the seventh（英语：Left Behind (The Last of Us)）.[55] Woodard is the second-youngest Emmy nominee,[d] the youngest ever for Guest Actor in a Drama Series,[72] and the second deaf[e] and first black deaf acting nominee.[74] Johnson and Woodard were also nominated for Outstanding Guest Performance in a Drama Series at the Black Reel Awards of 2023（英语：Black Reel Awards of 2023）,[75] and Woodard was awarded Rising Star – Television at the 1st Celebration of Cinema and Television: Honoring Black, Latino and AAPI Achievements（英语：1st Celebration of Cinema and Television: Honoring Black, Latino and AAPI Achievements）[76] and Best Breakthrough Performance in a New Scripted Series at the 第39届独立精神奖.[77]

The episode won Outstanding Animated Character in an Episode or Real-Time Project（英语：Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project） for the Bloater[f] and Outstanding Compositing and Lighting in an Episode（英语：Visual Effects Society Award for Outstanding Compositing & Lighting in an Episode） for the Infected Horde Battle[g] at the 22nd Visual Effects Society Awards（英语：22nd Visual Effects Society Awards）,[78] and Cynthia Ann Summers was nominated for Excellence in Contemporary Television（英语：Costume Designers Guild Award for Best Costume Design – Contemporary TV Series） at the Costume Designers Guild Awards 2023（英语：Costume Designers Guild Awards 2023）.[79] The episode was nominated for Art Direction for a Feature Film or Television Production[h] at the Australian Production Design Guild Awards（英语：Australian Production Design Guild Awards）.[80]

Notes

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  1. ^ The episode was released online on Max (流媒体) and HBO ahead of its broadcast on 广播节目编排 on February 12.[2]
  2. ^ 上集提到，艾德斯坦被凯萨琳抓到并枪决[3]。
  3. ^ Nominees: costume designer Cynthia Ann Summers; and assistant costume designers Kelsey Chobotar, Rebecca Toon, and Michelle Carr[55]
  4. ^ The youngest-ever Emmy nominee is 凯莎·奈特·普莱姆, nominated in 1986（英语：38th Primetime Emmy Awards） for 考斯比一家.[72]
  5. ^ The first Emmy-nominated deaf actor is 玛丽·麦特琳, with four nominations.[73]
  6. ^ Nominees: Gino Acevedo, Max Telfer, Dennis Yoo, and Fabio Leporelli[78]
  7. ^ Nominees: Matthew Lumb, Ben Roberts, Ben Campbell, and Quentin Hema[78]
  8. ^ Nominees: Art director Callum Webster, production designer John Paino, set designer Kyle White, and supervising art director Don Macaulay[80]

References

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  3. ^ Welch, Andy. The Last of Us recap episode five – all hell breaks loose. The Guardian. February 14, 2023 [April 21, 2023]. （原始内容存档于February 13, 2023）. 
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  38. ^ McLean, Ellie. HBO series "The Last of Us" has been filming in a Calgary alley and the footage is wild (PHOTOS/VIDEOS). Daily Hive（英语：Daily Hive）. Buzz Connected Media Inc. April 5, 2022 [April 6, 2022]. （原始内容存档于April 6, 2022）. 
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[编辑]


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