跳至內容

用戶:EzrealChen/備用沙盒25

維基百科，自由的百科全書
EzrealChen/備用沙盒25
《最後生還者 (電視劇)》分集
A cul-de-sac is overrun by dozens of infected creatures, included a very large one near the center. A building to the right is on fire.
A horde of infected, including a large bloater, overrun a 死路. Filmed over four weeks, the action sequence required extensive planning and a nine-week set construction.[1]
劇集編號第1季
第5集
導演Jeremy Webb
編劇Craig Mazin（英語：Craig Mazin）
音樂
"Fuel to Fire" by Agnes Obel（英語：Agnes Obel）
攝影師Eben Bolter
剪接
  • Timothy A. Good
  • Emily Mendez
首發日期2023年2月10日 (2023-02-10)[a]
長度59 minutes
客串演員
分集時序
← 上一集
《Please Hold to My Hand（英語：Please Hold to My Hand）》 		下一集 →
《Kin（英語：Kin (The Last of Us)）》
The Last of Us season 1
The Last of Us (TV series)#Episodes

"Endure and Survive" is the fifth episode of the first season（英語：The Last of Us season 1） of the American 末日幻想 劇情片 television series 最後生還者 (電視劇). The episode was written by series co-creator Craig Mazin（英語：Craig Mazin） and directed by Jeremy Webb. It was released online on Max (流媒體) and HBO on February 10, 2023, ahead of its broadcast on HBO on February 12. In the episode, Joel（英語：Joel (The Last of Us)） (佩德羅·帕斯卡) and Ellie（英語：Ellie (The Last of Us)） (貝拉·拉姆齊) agree to escape 堪薩斯城 (密蘇里州), with Henry (拉瑪爾·約翰遜 (演員)) and his brother Sam (Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）), who are being hunted by bandit leader Kathleen (梅蘭妮·林斯基) and her second-in-command 最後生還者 (電視劇)角色列表 (Jeffrey Pierce（英語：Jeffrey Pierce）).

The episode was primarily filmed in April 2022. A full set was built in an empty lot in nine weeks for use in an action sequence in the episode. Filmed over four weeks, the sequence used around 70 actors dressed by 70 prosthetics artists. "Endure and Survive" introduced a "bloater", a mutated creature significantly larger and stronger than most other infected; the costume was built using prosthetics and later emphasized using visual effects.

The episode received positive reviews, with praise for its writing, direction, cinematography, and performances of Johnson, Woodard, Lynskey, and Ramsey. It was watched by 11.6 million viewers within three days. The episode received several nominations at the 75th Primetime Creative Arts Emmy Awards（英語：75th Primetime Creative Arts Emmy Awards）, including for Johnson, Lynskey, and Woodard, and editors Timothy A. Good and Emily Mendez won Outstanding Picture Editing（英語：Primetime Emmy Award for Outstanding Picture Editing for a Drama Series）.

Plot

[編輯]

堪薩斯城的人民起義推翻政府並掌控局勢後，領袖嘉芙蓮·柯格蘭（梅蘭妮·林斯基飾）開始追捕亨利·布瑞爾（拉瑪爾·約翰遜飾），將兄長兼前領袖麥可（Michael）之死歸咎於其身上。亨利和失聰的弟弟山姆（Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）飾）求助於從事走私的老人艾德斯坦（Edelstein，John Getz（英語：John Getz）飾），藏身在他家的閣樓。十天後，艾德斯坦外出找尋物資卻一去不回[b]，兄弟倆於是尾隨外來者喬爾（英語：Joel (The Last of Us)）（佩德羅·帕斯卡飾）與艾莉（英語：Ellie (The Last of Us)）（貝拉·拉姆齊飾），雙方同意合作逃亡。另一方面，嘉芙蓮告訴左右手派瑞（Jeffrey Pierce（英語：Jeffrey Pierce）飾），麥可在被處刑前要她原諒亨利的告密行為，但她發誓要不擇手段以報此仇，派瑞對此表示認同。

亨利提議透過地下的廢棄通道逃到城外，可以躲過嘉芙蓮手下的追捕。喬爾半信半疑但還是照做，而艾莉則與山姆在途中培養出感情。亨利坦承他當時供出麥可，背後原因是為了取得藥物，治療山姆的白血病。四人離開隧道後，一名藏身建築的狙擊手阻住他們的去路。喬爾從後方繞過去將狙擊手殺死，但嘉芙蓮已得到消息，帶着一群民兵抵達現場。嘉芙蓮正要射殺亨利時，一輛受損的軍用卡車壓垮了路面，讓一大群感染者從洞口湧出，其中有一隻重度突變個體「巨無霸」（bloater），它將派瑞撕成碎片。在一片混亂中，喬爾不斷開槍提供掩護，艾莉則出手搭救亨利與山姆。嘉芙蓮持槍攔截艾莉等三人，但被一隻孩童樣貌的「循聲者」（clicker）突襲而死。喬爾、艾莉、山姆與亨利順利逃到城外，感染者則往城裏前進。

當晚，四人在一間汽車旅館棲身。喬爾邀請亨利一起前往懷俄明州，亨利答應。在臥房裏，山姆將混亂中被感染者咬傷的部位給艾莉看，艾莉試圖將自己的血沾在傷口上，希望能治好山姆。艾莉答應會醒著陪他度過夜晚，但仍不由自主地睡着了。隔天早上，山姆發病並攻擊艾莉，喬爾試圖舉槍，但槍被亨利奪去。亨利在情急之下還是扣下扳機，將弟弟射殺。意識到自己所為後，亨利不顧喬爾的阻止舉槍自盡。喬爾與艾莉埋葬了兄弟倆，離去之前，艾莉在山姆的墳上留下一張紙條，寫着她的道歉。

Production

[編輯]

Conception and writing

[編輯]
A 51 year-old man with a grey beard smiling to the left of the camera.
The episode was written by series co-creator Craig Mazin（英語：Craig Mazin）.[4]

"Endure and Survive" was written by Craig Mazin（英語：Craig Mazin） and directed by Jeremy Webb.[4] The Directors Guild of Canada（英語：Directors Guild of Canada） revealed Webb would direct for the series in January 2022.[5] 爛番茄 revealed the episode's title in January 2023.[6] 最後生還者 (電視劇) series co-creators Mazin and 尼爾·德魯克曼, the latter of whom wrote and co-directed 最後生還者 on which the series is based, found the differing perspectives of the television series granted an opportunity to explore the backstory of Kansas City—a replacement of 匹茲堡 from the game—and show the stories behind the violence, the aftermath of which Joel and Ellie discover in the game.[7]（1:14）

The writers wanted to honor the game's unseen character 最後生還者角色列表—who built a community in tunnels underneath the city—but found they could not properly depict it in the episode, opting for brief references.[7]（26:08） Mazin felt a standalone episode focusing on Ish may have worked but found 電子遊戲術語列表 more effective.[7]（27:37） The writers understood the game's sniper sequence would have translated poorly to television and chose to make the shooter an old man to add sadness to the scene.[7]（32:36） While meeting with Druckmann and Webb in 聖莫尼卡, Mazin realized the full action sequence would be more effective at night—as opposed to day like the game—as its visuals and the creepiness of infected would be improved.[7]（37:06） The episode's credits use the song "Fuel to Fire" by Agnes Obel（英語：Agnes Obel）,[4] which subsequently ranked fifth on 告示牌 (雜誌)'s Top TV Songs 告示牌榜單 for February, with 378,000 streams and 1,000 downloads.[8]

Casting and characters

[編輯]

拉瑪爾·約翰遜 (演員) and Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）'s casting as Henry and Sam was announced in August 2021.[9][10] Johnson recalled his casting process occurred quickly: he sent his audition tape on Monday, received the role by Wednesday, departed for the set by Saturday,[11] and began filming by Wednesday.[12] He had played the game and wanted to avoid imitating the original performance due to its impact.[13][14] He was nervous about the role due to the character's importance, but found his nervousness prompted him to challenge himself. Mazin provided information to Johnson regarding Henry's backstory to help him understand the character.[11] Johnson felt Henry was hurt by his own actions against Michael, but Sam was ultimately more important to him.[15] Mazin and Druckmann had several long discussions regarding Henry's fate and considered many alternatives, but ultimately considered his suicide, like in the game, reflected that he had nothing left after Sam's death.[7]（59:37） Johnson found the final scenes emotionally draining due to his relationship with Woodard;[13] he "tried to be as present and authentic as possible" as he considered it the most important and iconic scene of the characters,[16] and felt 佩德羅·帕斯卡 did the same opposite him as Joel.[17] He was allowed to experiment with the scene, including performing lines similar to the game;[18] he wanted to portray Henry's shock and confusion at the sudden events.[19] Johnson believed Henry's final decision was to join Sam, as he felt they were likely religious.[12] He recalled crying behind the camera with Webb during Ellie's final scene with Sam.[11]

貝拉·拉姆齊, who portrays Ellie, felt Sam brought out Ellie's childlike energy, which they largely attributed to Woodard.[20]（2:24） Mazin wrote Sam as deaf—a change from the game—to avoid his relationship with Henry feeling repetitious of Ellie's with Joel, which he felt would have been emphasized due to the different perspectives of the series.[7]（3:00） He had been watching the television series This Close（英語：This Close） (2018–2019)—which follows two deaf characters—and felt it may have influenced his decision.[7]（4:12） He found it automatically introduced intimacy to the scenes due to their quietness, which contrasted with Ellie's talkative nature.[7]（5:04） Druckmann was instantly drawn to the idea and wished he had included it in the game.[7]（5:32） Mazin hired This Close co-creator Shoshannah Stern（英語：Shoshannah Stern） to review the scripts.[7]（5:55） The production team faced difficulties in casting Sam; they were met with minimal candidates.[7]（6:26） In February 2021, Mazin distributed a casting call for a boy aged 8–14 who is deaf, black, and proficient in 美國手語 (ASL) or 美國黑人手語; Deaf West Theatre（英語：Deaf West Theatre） confirmed this was for the character of Sam.[21] He had expected to receive around 80 auditions, but ultimately got about five, including Woodard;[7]（7:53） it was his first acting role.[18]

Mazin felt Sam's leukemia was a more significant part of his story than his deafness.[7]（9:35） CJ Jones（英語：CJ Jones）, whom Mazin met through Stern, acted as Woodard's liaison to the crew and helped teach ASL to cast and crew;[7]（11:14） Johnson began learning the language via Zoom (軟件) shortly after arriving in Calgary,[11] and spent his time away from set learning the language.[22] He did not want viewers to think his knowledge of the language was fake,[7]（11:14） and considered his performance important for deaf representation.[23][24] He felt spending time around Woodard for production gave him a better grasp on the language; Woodard would sometimes correct his mistakes in scenes.[25] Ramsey similarly learned ASL during production.[20]（1:16） Sam's age was reduced from the game to allow him to look up to Ellie;[7]（3:47） Mazin felt this justified his revelation of his bite to Ellie, which does not occur in the game.[7]（53:55） In portraying Sam's bravery, Woodard recalled his own experiences of being told to stay brave after his father died.[16] Johnson and Woodard worked on the series for two-and-a-half months.[19][26]

Mazin and Druckmann did not want characters like Kathleen to feel like 非玩家角色 from a video game, opting to give them full stories to humanize them and justify their actions.[7]（15:58） They felt adding a connection between Kathleen and Henry—and, by extension, to Joel and Ellie—made the storylines more effective and justified the different perspectives.[7]（21:00） Mazin wanted Kathleen's death to represent the notion of violent actions meeting violent ends, and Druckmann felt her obsession with justice led her to become distracted from her own survival.[7]（48:14） 梅蘭妮·林斯基 knew of Kathleen's fate when she accepted the role. She found the scene easy to film due to the coordination of the team, as they had been planning for weeks.[27] Mazin found it important that Kathleen was killed by a child, as minutes earlier she had told Henry that children die all the time.[7]（50:27） Lynskey recorded her death sounds as 配音 (ADR); Mazin and Druckmann directed her to "sound like someone was ripping your throat out".[28] Lynskey's husband 傑森·里特 had a cameo appearance as an infected creature.[29]

Jeffrey Pierce（英語：Jeffrey Pierce） felt Perry was in love with Kathleen, which prompted several of his actions.[30] He considered Perry's sacrifice selfless as it was to allow Kathleen to escape,[31] and thought it reflected Perry's constant wish to be a hero.[13] Mazin had told Pierce earlier that he was "gonna get the best death of the entire season".[31] Pierce played the role akin to a 浪人 from an 黑澤明 film and saw his death as an honorable "samurai death", sacrificing himself for the woman he loves.[32]

Filming

[編輯]
An oil painting of a blue four-story house.
The design of the sniper house in the action sequence was partly inspired by 愛德華·霍普's painting House by the Railroad（英語：House by the Railroad） (1925).[1]

"Endure and Survive" was primarily filmed in April 2022, shortly before production finished on the season finale.[1] Eben Bolter worked as 攝影指導 for the episode.[33] Johnson and Woodard were on set in Calgary on March 23, 2022.[34][35][36] The classroom and tunnels were built in the cellar underneath the old Inglewood Brewery in Calgary; production designer John Paino and his team enjoyed the "kind of dankness" it had.[1][37] The team mapped the room with laser scanning（英語：laser scanning） to allow the visual effects team to extend the hallways.[1] Production took place around the Calgary Courts Centre（英語：Calgary Courts Centre） and Victoria Park（英語：Victoria Park, Calgary） in May.[38][39] Pascal and Ramsey were spotted on set in Calgary in May, followed some days later by military vehicles representing FEDRA.[40][41]

The action sequence took significant planning—Bolter estimated around 80% of the episode's planning focused on the scene—and was filmed in four weeks; about a week-and-a-half was dedicated to the infected horde rising from the ground.[1] The sequence was one of few in the series prepared on a 分鏡 due to the combination of elements like pyrotechnics and visual effects, which presented potential dangers.[42] The neighborhood was built in an empty lot near the Calgary Film Centre to allow full control of the significant special effects required.[7]（34:50） Modelers crafted to-scale versions of the area based on 光學雷達 scans of Kansas City,[42] and the game and real Kansas City neighborhoods were referenced.[7]（34:50） The nine-week building process,[1] led by Paino, art director Don Macaulay, and construction coordinator Donadino Valentino Centanni,[7]（34:50） involved crafting 瀝青路面 driveways, paving 礫石, arranging damaged vehicles, and constructing front and sides of thirteen houses;[1] they engaged several housebuilders for construction.[7]（34:50） The sniper's three-story building[42] was modeled after 愛德華·霍普's painting House by the Railroad（英語：House by the Railroad） (1925) and the Bates residence from 驚魂記 (1960). The interior was aged for two weeks with water, and Calgary's snow and ice added more water damage, which Paino appreciated.[1]

Webb cited 搶救雷恩大兵 (1998) as inspiration for some of the shots during the sequence, particularly from Joel's perspective in the house or Ellie's on the street. A camera with a 瞄準鏡 was used for Joel, and three handheld camera（英語：handheld camera）s were used to track the action sequence from the ground, with long 鏡頭 "to compress the space, to make it feel scary and cinematic and real".[1] The shots of the truck crashing into the house and the subsequent explosion could only be filmed once.[1] Bolter faced difficulty lighting the sequence.[33] 街燈s located two blocks away were switched off to allow Bolter to fully craft the lighting. He took inspiration from 體育場s by surrounding the set with 背光s and lighting from above with ambient light（英語：Low-key lighting）.[1] 特羅伊·貝克, who portrayed Joel in the video games and James in the television series, visited the set while he was in the city for a convention.[32] The ending scenes at the motel were filmed in Nanton, Alberta（英語：Nanton, Alberta）.[43] The episode completed production in the early hours of June 11, marking the final day of 主體拍攝 for the season,[44][45] two days later than originally scheduled.[46][47]

Prosthetics and visual effects

[編輯]

Barrie and Sarah Gower led the prosthetics teams for the series. Around 60 actors were used in the infected mob, and 10 to 15 wore clicker masks,[1] all crafted by 70 prosthetic artists;[48] they applied prosthetics to about 30 people in each three-hour shift.[1] The makeup process began around 3:00 p.m. to prepare for shooting, which began at 9:00 p.m.[49] Due to the amount of infected in the episode, the production team worked with Terry Notary（英語：Terry Notary） to coordinate their movements; he set up a boot camp to prepare the actors for the role.[20]（3:44） The child clicker—designed by 頑皮狗 artist Hyoung Taek Nam, who originally designed clickers for the game—was portrayed by a young 柔身術 actress,[7]（49:22） Skye Belle Cowton;[28] prosthetics and visual effects were combined to make the creature. Mazin insisted Cowton wear a Blue's Clues（英語：Blue's Clues） shirt to contrast the innocence and horror.[7]（49:22）

The writers spent months trying to decide whether or not to include a bloater in the series before ultimately adding it.[7]（46:22） It was portrayed by actor Adam Basil, with whom Barrie Gower had worked on 權力的遊戲 (電視劇).[1] A cast of Basil's body was created to help create the bloater. The 40-公斤（88-英磅） suit was coated in a gel-like liquid during filming to appear wet and reflective.[49] Gower said his team wanted the creature to have a "practical presence" for interaction on set, which could later be emphasized with visual effects; the bloater was made taller and given additional muscle definition.[1] In the script, Mazin wrote that the bloater tore Perry in two at the waist, but Druckmann wanted his death to be more grounded; as visual effects were implemented, Mazin realized decapitation looked more realistic and paid homage to the games.[7]（46:22）

The visual effects team consulted with Mazin and Druckmann to emphasize her childlike features, adding 雙馬尾s and showing more of her face.[1] Sixteen visual effects teams worked on the action sequence; while the season averaged 250 visual effects shots per episode, "Endure and Survive" had around 350 to 400.[1] 維塔數碼 created the visual effects of the infected;[7]（41:05） 50 to 70 infected were added to the horde through visual effects.[1] Mazin compared the infected emerging from the ground to an 蟻窩, as well as a scene of goblins in the mines in 指環王：護戒使者 (2001), which he considered terrifying.[7]（44:14）

Reception

[編輯]

Broadcast and ratings

[編輯]

The episode was released online on Max (流媒體) and HBO on February 10, 2023, ahead of its broadcast on television to avoid conflicting with 第五十七屆超級碗. It aired on HBO in its weekly slot on February 12.[2] The episode had 11.6 million viewers in the United States on its first weekend, including 廣播節目編排 and streams on HBO Max.[50] On linear television, it had 382,000 viewers, with a 0.09 ratings share（英語：ratings share）.[51]

Critical response

[編輯]
A 24-year-old man with black hair smiles towards the camera.
A 10-year-old boy with black hair smirks to the right of the camera.
A 38-year-old woman with brown hair smiles to the left of the camera.
The performances of 拉瑪爾·約翰遜 (演員), Keivonn Montreal Woodard（英語：Keivonn Montreal Woodard）, and 梅蘭妮·林斯基 (L–R) were praised by critics,[52][53][54] and earned them nominations at the 75th Primetime Creative Arts Emmy Awards（英語：75th Primetime Creative Arts Emmy Awards）.[55]

On review aggregator Rotten Tomatoes, "Endure and Survive" has an approval rating of 95 percent based on 38 reviews, with an average rating of 9.1/10. The website's critical consensus called the episode "a sobering reminder of how unsparing this apocalyptic world can be".[56] IndieWire named "Endure and Survive" the seventh-best television episode of 2023; Ben Travers praised its portrayal of love and loss in the midst of authoritarian rule.[57]

The performances of Johnson, Woodard, Lynskey, and Ramsey received particular praise.[52][54][58] Den of Geek（英語：Den of Geek）'s Bernard Boo called Ramsey's reaction to Henry's death "utterly heartbreaking",[53] and Russell found their performance throughout the episode made the moment more effective, and was ultimately worthy of awards consideration.[59] TVLine（英語：TVLine） named Johnson an honorable mention for Performer of the Week;[60] IGN's Cardy lauded his emotional performance in his final scene,[61] and Total Film（英語：Total Film）'s Bradley Russell felt the naivety of Woodard's role intensified the narrative.[59] Boo thought Lynskey and Pierce's performances effectively conveyed Perry's devotion to Kathleen.[53] The A.V. Club's Cote found Lynskey's delivery "edges dangerously close to end-times 坎普風".[4]

Reviewers lauded Mazin's writing.[61][62][63] IndieWire's Travers called the episode "a potent examination of heroes and villains".[54] The Escapist's Darren Mooney found it "surprisingly literary", citing the imagery of the rising infected being built thematically beforehand, and found the zombie apocalypse（英語：zombie apocalypse） tropes were employed more elegantly than in the show's 當你迷失在黑暗中 and 感染者 (最後生還者) episodes.[64] Total Film's Russell considered some moments—like Henry painting Sam's face—just as powerful as the show's acclaimed third episode（英語：Long, Long Time (The Last of Us)）, but found Kathleen's death underwhelming.[59] 數碼間諜's Janet A. Leigh found the episode's deaths pointless, noting Henry and Sam were not given enough meaningful scenes and questioning Kathleen's inclusion if only to kill her abruptly.[65] 廣播時報's Liam O'Dell criticized the episode's deaf representation and felt the writers made Sam deaf to manipulate emotions and depict Henry as a savior.[66]

滾石 (雜誌)'s Alan Sepinwall（英語：Alan Sepinwall） praised the action sequences for remaining character-driven,[63] and Kotaku's Jackson thought the pacing of the sniper scene made it more effective than the game.[67] Game Rant（英語：Game Rant）'s Rabab Khan wrote that the cinematography captured the tension during the sniper sequence, and the changing shots effectively represented the horror of the subsequent action scenes.[68] IGN's Simon Cardy found the cinematography reflected the intense atmosphere and the cuts from 特寫s to wide shot（英語：wide shot）s emphasized the terror and scale.[61] 影音俱樂部's David Cote lauded the production design,[4] and Kotaku's Claire Jackson praised the sniper's sound design.[67] Den of Geek's Boo found the action entertaining enough to forgive the lack of character development earlier in the episode;[53] and Push Square（英語：Push Square）'s Aaron Bayne felt the Kansas City scenes were less memorable and frightening than the game's Pittsburgh.[52] 偏鋒雜誌's Pat Brown found the action sequence insufficiently tense as the episode failed to "build the undead up as objects of real dread".[69] Polygon's Pete Volk criticized it for its low lighting and the bloater for its weightlessness and lack of presence in the world, comparing it to the child clicker which he found effective due to its inhuman movements.[70] Mashable's Belen Edwards praised Cowton's performance and movements.[71]

Accolades

[編輯]

At the 75th Primetime Creative Arts Emmy Awards（英語：75th Primetime Creative Arts Emmy Awards）, editors Timothy A. Good and Emily Mendez won Outstanding Picture Editing for a Drama Series（英語：Primetime Emmy Award for Outstanding Picture Editing for a Drama Series） for their work on the episode. The episode was nominated for Outstanding Contemporary Costumes（英語：Primetime Emmy Award for Outstanding Contemporary Costumes for a Series）,[c] while Johnson and Woodard were nominated for Outstanding Guest Actor（英語：Primetime Emmy Award for Outstanding Guest Actor in a Drama Series） and Lynskey for Guest Actress（英語：Primetime Emmy Award for Outstanding Guest Actress in a Drama Series） for their performances; Johnson and Woodard lost to 尼克·奧佛曼 from the season's third episode, and Lynskey to 斯托姆·瑞德 from the seventh（英語：Left Behind (The Last of Us)）.[55] Woodard is the second-youngest Emmy nominee,[d] the youngest ever for Guest Actor in a Drama Series,[72] and the second deaf[e] and first black deaf acting nominee.[74] Johnson and Woodard were also nominated for Outstanding Guest Performance in a Drama Series at the Black Reel Awards of 2023（英語：Black Reel Awards of 2023）,[75] and Woodard was awarded Rising Star – Television at the 1st Celebration of Cinema and Television: Honoring Black, Latino and AAPI Achievements（英語：1st Celebration of Cinema and Television: Honoring Black, Latino and AAPI Achievements）[76] and Best Breakthrough Performance in a New Scripted Series at the 第39屆獨立精神獎.[77]

The episode won Outstanding Animated Character in an Episode or Real-Time Project（英語：Visual Effects Society Award for Outstanding Animated Character in an Episode or Real-Time Project） for the Bloater[f] and Outstanding Compositing and Lighting in an Episode（英語：Visual Effects Society Award for Outstanding Compositing & Lighting in an Episode） for the Infected Horde Battle[g] at the 22nd Visual Effects Society Awards（英語：22nd Visual Effects Society Awards）,[78] and Cynthia Ann Summers was nominated for Excellence in Contemporary Television（英語：Costume Designers Guild Award for Best Costume Design – Contemporary TV Series） at the Costume Designers Guild Awards 2023（英語：Costume Designers Guild Awards 2023）.[79] The episode was nominated for Art Direction for a Feature Film or Television Production[h] at the Australian Production Design Guild Awards（英語：Australian Production Design Guild Awards）.[80]

Notes

[編輯]
  1. ^ The episode was released online on Max (流媒體) and HBO ahead of its broadcast on 廣播節目編排 on February 12.[2]
  2. ^ 上集提到，艾德斯坦被嘉芙蓮抓到並槍決[3]。
  3. ^ Nominees: costume designer Cynthia Ann Summers; and assistant costume designers Kelsey Chobotar, Rebecca Toon, and Michelle Carr[55]
  4. ^ The youngest-ever Emmy nominee is 凱莎·奈特·普萊姆, nominated in 1986（英語：38th Primetime Emmy Awards） for 考斯比一家.[72]
  5. ^ The first Emmy-nominated deaf actor is 瑪麗·麥特琳, with four nominations.[73]
  6. ^ Nominees: Gino Acevedo, Max Telfer, Dennis Yoo, and Fabio Leporelli[78]
  7. ^ Nominees: Matthew Lumb, Ben Roberts, Ben Campbell, and Quentin Hema[78]
  8. ^ Nominees: Art director Callum Webster, production designer John Paino, set designer Kyle White, and supervising art director Don Macaulay[80]

References

[編輯]
  1. ^ 1.00 1.01 1.02 1.03 1.04 1.05 1.06 1.07 1.08 1.09 1.10 1.11 1.12 1.13 1.14 1.15 1.16 1.17 1.18 Hadadi, Roxana. 'The Last of Us': The Making of Episode 5's Infected Pit. Vulture. Vox Media. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  2. ^ 2.0 2.1 Millman, Zosha. The Last of Us episode 5 will air early, out of the way of the Super Bowl. Polygon. Vox Media. February 5, 2023 [February 6, 2023]. （原始內容存檔於February 6, 2023）. 
  3. ^ Welch, Andy. The Last of Us recap episode five – all hell breaks loose. The Guardian. February 14, 2023 [April 21, 2023]. （原始內容存檔於February 13, 2023）. 
  4. ^ 4.0 4.1 4.2 4.3 4.4 Cote, David. Joel and Ellie find new travel companions in a padded The Last Of Us. The A.V. Club. G/O Media. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  5. ^ Haas, Shawnee. 'The Last of Us' TV Series Adds New Directors from 'The Punisher' and 'What We Do in the Shadows'. Collider. Valnet. January 20, 2022 [June 17, 2022]. （原始內容存檔於January 20, 2022）. 
  6. ^ The Last of Us. Rotten Tomatoes. Fandango Media. [January 10, 2023]. （原始內容存檔於January 10, 2023）. 
  7. ^ 7.00 7.01 7.02 7.03 7.04 7.05 7.06 7.07 7.08 7.09 7.10 7.11 7.12 7.13 7.14 7.15 7.16 7.17 7.18 7.19 7.20 7.21 7.22 7.23 7.24 7.25 7.26 7.27 7.28 7.29 7.30 7.31 Baker, Troy; Mazin, Craig; Druckmann, Neil. Episode 5. HBO's The Last of Us Podcast (Podcast). HBO. February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  8. ^ Rutherford, Kevin. 'The Last of Us' Takes No. 1 on Top TV Songs Chart With a-ha Classic. Billboard. Eldridge Industries（英語：Eldridge Industries）. March 24, 2023 [June 11, 2024]. （原始內容存檔於March 24, 2023）. 
  9. ^ Bailey, Kat. Exclusive: HBO's The Last of Us Casts Henry and Sam, But There Are Some Major Differences. IGN. Ziff Davis. August 10, 2022 [August 11, 2022]. （原始內容存檔於August 10, 2022）. 
  10. ^ Louis, Brandon. The Last of Us Set Photo Hints at New Location Not In The Games. Screen Rant. Valnet. March 28, 2022 [March 29, 2022]. （原始內容存檔於March 29, 2022）. 
  11. ^ 11.0 11.1 11.2 11.3 Radish, Christina. 'The Last of Us': Lamar Johnson on Henry & Sam's Bond and the Moment that Made Him Cry. Collider. Valnet. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  12. ^ 12.0 12.1 Moon, Kat. The Last of Us' Lamar Johnson Breaks Down the Season's Most Devastating Scene Yet. TV Guide. Fandom, Inc. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  13. ^ 13.0 13.1 13.2 Shiel, Emily. The Last of Us interview: Henry and Perry actors examine their work. GamesHub. ArtsHub Australia. February 11, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  14. ^ Kile, Meredith B. 'The Last of Us' Star Lamar Johnson on Episode 5's Heartbreaking End (Exclusive). Entertainment Tonight（英語：Entertainment Tonight）. CBS Media Ventures（英語：CBS Media Ventures）. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  15. ^ Rouse, Isaac. 'The Last of Us': Lamar Johnson on Henry's Decision-Making in Shocking Episode 5. TV Insider（英語：TV Insider）. NTVB Media. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  16. ^ 16.0 16.1 Jackson, Destiny. 'The Last of Us' Actors Lamar Johnson And Keivonn Woodard On The Emotional Filming Of Endure And Survive. Deadline. Penske Media Corporation. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  17. ^ Yeo, Debra. Even Lamar Johnson got emotional watching Episode 5 of 'The Last of Us'. Toronto Star. Torstar（英語：Torstar）. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  18. ^ 18.0 18.1 Romano, Nick. The Last of Us stars behind Henry and Sam wanted to do justice to 'heartbreaking' storyline. Entertainment Weekly (Dotdash Meredith). February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  19. ^ 19.0 19.1 Gajjar, Saloni. Lamar Johnson breaks down his tragic arc in The Last Of Us for us. The A.V. Club. G/O Media. February 15, 2023 [February 16, 2023]. （原始內容存檔於February 16, 2023）. 
  20. ^ 20.0 20.1 20.2 The Last of Us | Inside the Episode - 5. HBO Max. February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  21. ^ Mitchell, Laine. HBO's Alberta-shot "The Last of Us" is on the hunt for a new cast member. Daily Hive（英語：Daily Hive）. Buzz Connected Media Inc. February 22, 2022 [March 15, 2022]. （原始內容存檔於February 21, 2022）. 
  22. ^ Langmann, Brady. Inside Henry's Heartbreaking Decision In The Last of Us Episode 5. Esquire. Hearst Communications. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  23. ^ Garrett, Ural. 'The Last of Us' Star Lamar Johnson Dives Into The Brotherly Story of Henry & Sam. BET.com. BET Networks. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  24. ^ King, Jack. Inside The Last of Us episode 5's ending, the show's most heartbreakingly tragic moment yet. British GQ. Condé Nast. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  25. ^ Toomer, Jessica. 'The Last Of Us' Star Lamar Johnson On Henry And Sam's Relationship And Being Intimidated By Melanie Lynskey. Uproxx. Warner Music Group. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  26. ^ Dunn, Renca. Interview with Keivonn Woodard in HBO's "The Last of Us" series. The Daily Moth. December 9, 2022 [February 15, 2023]. （原始內容存檔於December 23, 2022）. 
  27. ^ Chaney, Jen. Melanie Lynskey Has Never Been on a Set as Overwhelming as The Last of Us. Vulture. Vox Media. February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  28. ^ 28.0 28.1 Romano, Nick. The Last of Us actor on filming the Infected swarm and going out in a blaze of glory. Entertainment Weekly (Dotdash Meredith). February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  29. ^ Haring, Bruce. 'The Last of Us' Had Jason Ritter As An Undercover Clicker In Wife's Episodes. Deadline Hollywood. Penske Media Corporation. March 18, 2023 [March 26, 2023]. （原始內容存檔於March 18, 2023）. 
  30. ^ Zaid, A'bidah. Geek Interview: Jeffrey Pierce On Returning To 'The Last of Us' As Perry, Gabriel Luna's Tommy, & How The Show Reignited His Love For Acting. Geek Culture. February 11, 2023 [February 11, 2023]. （原始內容存檔於February 28, 2023）. 
  31. ^ 31.0 31.1 Millman, Zosha. This Last of Us actor is happy he got the 'best death of the season'. Polygon. Vox Media. February 10, 2023 [February 11, 2023]. （原始內容存檔於February 11, 2023）. 
  32. ^ 32.0 32.1 Deckelmeier, Joe. The Last Of Us Star Jeffrey Pierce Talks Playing A New Role For The Show. Screen Rant. Valnet. February 11, 2023 [February 13, 2023]. （原始內容存檔於February 12, 2023）. 
  33. ^ 33.0 33.1 Ettenhofer, Valerie. How The Last Of Us Cinematographer Avoided HBO's Too-Dark Curse [Exclusive]. /Film（英語：/Film）. Static Media（英語：Static Media）. January 23, 2023 [January 25, 2023]. （原始內容存檔於January 23, 2023）. 
  34. ^ Kennedy, Victoria. Leaked The Last of Us TV show images give first look at Sam and Henry. Eurogamer. Gamer Network. March 24, 2022 [March 25, 2022]. （原始內容存檔於March 24, 2022）. 
  35. ^ Guisao, Jason. The Last Of Us TV Show Leaks Reveal Sam And Henry. Game Informer (GameStop). March 24, 2022 [March 25, 2022]. （原始內容存檔於March 24, 2022）. 
  36. ^ Russell, Bradley. The Last of Us series set video introduces more of the game's characters. GamesRadar+. Future plc. March 24, 2022 [March 25, 2022]. （原始內容存檔於March 24, 2022）. 
  37. ^ Ream, Michaela. Filming The Last of Us (PDF). BOMA Calgary Building Guide (Building Owners and Managers Association（英語：Building Owners and Managers Association）). 2023: 24–26. （原始內容存檔 (PDF)於December 10, 2023）. 
  38. ^ McLean, Ellie. HBO series "The Last of Us" has been filming in a Calgary alley and the footage is wild (PHOTOS/VIDEOS). Daily Hive（英語：Daily Hive）. Buzz Connected Media Inc. April 5, 2022 [April 6, 2022]. （原始內容存檔於April 6, 2022）. 
  39. ^ McLean, Ellie. HBO series "The Last of Us" filming at a new Calgary location and footage is as cool as ever (PHOTOS/VIDEOS). Daily Hive（英語：Daily Hive）. Buzz Connected Media Inc. April 30, 2022 [April 30, 2022]. （原始內容存檔於April 30, 2022）. 
  40. ^ Kennedy, Victoria. Leaked The Last of Us TV show footage reveals more potential backstory. Eurogamer. Gamer Network. May 6, 2022 [May 12, 2022]. （原始內容存檔於May 6, 2022）. 
  41. ^ Wolinsky, David. New Last Of Us TV Show Footage Leaks. GameSpot. Red Ventures. May 6, 2022 [May 12, 2022]. （原始內容存檔於May 6, 2022）. 
  42. ^ 42.0 42.1 42.2 Shachat, Sarah. The Last of Us' Episode 5: Building That Jaw-Dropping Cul-de-Sac Climax. IndieWire. Penske Media Corporation. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  43. ^ Mitchell, Laine. Oops: An Alberta-founded business was just spotted in episode five of "The Last of Us". Daily Hive（英語：Daily Hive）. ZoomerMedia（英語：ZoomerMedia）. February 11, 2023 [February 13, 2023]. （原始內容存檔於February 13, 2023）. 
  44. ^ Dryden, Joel. Horrific mutants vacate Alberta streets as HBO's The Last of Us set to wrap production. CBC News. June 8, 2022 [June 9, 2022]. （原始內容存檔於June 8, 2022）. 
  45. ^ Webb, Jeremy [@jwebbspidertv]. It's DONE my episodes and the whole show wrapped early this morning. March 20, 2022 [June 17, 2022]. （原始內容存檔於October 28, 2022） –透過Instagram. 
  46. ^ DGC Alberta Production List (PDF). Directors Guild of Canada（英語：Directors Guild of Canada）: 1. June 30, 2021 [July 3, 2021]. （原始內容存檔 (PDF)於July 2, 2021）. 
  47. ^ Dryden, Joel. HBO's The Last of Us adaptation to shoot in Calgary area, starring Mandalorian, Game of Thrones actors. CBC News. March 30, 2021 [March 31, 2021]. （原始內容存檔於March 31, 2021）. 
  48. ^ Robledo, Anthony. How "The Last Of Us" Team Brought Their Infected, Clickers and Bloaters To Life. BuzzFeed News（英語：BuzzFeed News）. BuzzFeed. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  49. ^ 49.0 49.1 Moreau, Jordan. Making the Bloater: 'The Last of Us' Prosthetics Designer Used a Slimy, 80-Pound Suit and Massive Stuntman to Create the Deadly Monster. Variety. Penske Media Corporation. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  50. ^ Hailu, Selome. 'The Last of Us' Season 1 Finale Scores 8.2 Million Viewers, Reaching Series High Despite Oscars Competition. Variety. Penske Media Corporation. March 13, 2023 [March 14, 2023]. （原始內容存檔於March 13, 2023）. 
  51. ^ Metcalf, Mitch. ShowBuzzDaily's Sunday 2.12.2023 Top 150 Cable Originals & Network Finals Updated. Showbuzz Daily（英語：Showbuzz Daily）. February 14, 2023 [February 14, 2023]. （原始內容存檔於February 14, 2023）. 
  52. ^ 52.0 52.1 52.2 Bayne, Aaron. TV Show Review: The Last of Us (HBO) Episode 5 - Clicker Chaos Reigns Supreme. Push Square. Hookshot Media（英語：Hookshot Media）. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  53. ^ 53.0 53.1 53.2 53.3 Boo, Bernard. The Last of Us Episode 5 Review: Escape From Kansas City. Den of Geek（英語：Den of Geek）. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  54. ^ 54.0 54.1 54.2 Travers, Ben. 'The Last of Us' Episode 5 Is a Stunning Depiction of What Lost Love Has Wrought. IndieWire. Penske Media Corporation. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  55. ^ 55.0 55.1 55.2 Tangcay, Jazz; Littleton, Cynthia. 'The Last of Us' Grabs Eight Wins on Night 1 of 2023 Creative Arts Emmy Awards. Variety. Penske Media Corporation. January 6, 2024 [January 7, 2024]. （原始內容存檔於January 7, 2024）. 
  56. ^ The Last of Us: Season 1, Episode 5. Rotten Tomatoes. Fandango Media. [July 4, 2024]. （原始內容存檔於July 3, 2024）. 
  57. ^ Greene, Steve; Travers, Ben; Strecker, Erin. The 25 Best TV Episodes of 2023. IndieWire. Penske Media Corporation. November 29, 2023 [December 2, 2023]. 
  58. ^ Lowry, Brian. 'The Last of Us' demonstrates its fearlessness with another shocking episode. CNN. February 11, 2023 [February 13, 2023]. （原始內容存檔於February 11, 2023）. 
  59. ^ 59.0 59.1 59.2 Russell, Bradley. The Last of Us episode 5 review: "A pulse-pounding reminder of how scary the show can be". Total Film（英語：Total Film）. Future plc. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  60. ^ Performer of the Week: Harrison Ford. TVLine（英語：TVLine）. Penske Media Corporation. February 18, 2023 [March 10, 2023]. （原始內容存檔於February 18, 2023）. 
  61. ^ 61.0 61.1 61.2 Cardy, Simon. The Last of Us: Episode 5 Review. IGN. Ziff Davis. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  62. ^ Murray, Noel. 'The Last of Us' Season 1, Episode 5: Darkness on the Edge of Town. The New York Times. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  63. ^ 63.0 63.1 Sepinwall, Alan. 'The Last of Us' Episode 5: These Deaths Will Tear Your Heart Out. Rolling Stone (Penske Media Corporation). February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  64. ^ Mooney, Darren. In 'Endure and Survive,' The Last of Us Delves Beneath the Surface. The Escapist. Gamurs（英語：Gamurs）. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  65. ^ Leigh, Janet A. The Last of Us dropped the ball with this major change. Digital Spy. Hearst Communications. February 13, 2023 [February 13, 2023]. （原始內容存檔於February 13, 2023）. 
  66. ^ O'Dell, Liam. The Last of Us failed Sam with its Deaf representation. Radio Times. Immediate Media Company（英語：Immediate Media Company）. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  67. ^ 67.0 67.1 Jackson, Claire. HBO's The Last Of Us Show Just Nailed One Of The Game's Best Moments. Kotaku. G/O Media. February 10, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  68. ^ Khan, Rabab. The Last of Us: Episode 5 Review. Game Rant（英語：Game Rant）. Valnet. February 11, 2023 [February 12, 2023]. （原始內容存檔於February 11, 2023）. 
  69. ^ Brown, Pat. The Last of Us Review: HBO's Video Game Adaptation is All Flesh, No Bones. Slant Magazine. February 12, 2023 [January 11, 2023]. （原始內容存檔於January 10, 2023）. 
  70. ^ Volk, Pete. The Last of Us' Big Fungus... why won't you let me love you. Polygon. Vox Media. February 12, 2023 [February 13, 2023]. （原始內容存檔於February 12, 2023）. 
  71. ^ Edwards, Belen. 'The Last of Us' episode 5 has a monstrous MVP — and it isn't a Bloater. Mashable. Ziff Davis. February 10, 2023 [February 13, 2023]. （原始內容存檔於February 11, 2023）. 
  72. ^ 72.0 72.1 Coggan, Devan. The Last of Us star Keivonn Montreal Woodard sets Emmy record as youngest nominee in category. Entertainment Weekly (Dotdash Meredith). July 12, 2023 [July 13, 2023]. （原始內容存檔於July 13, 2023）. 
  73. ^ D'Allesandro, Anthony. Emmys: Acting & Hosting Diversity Noms Uptick From 2022, Black Women Set Record In Supporting Comedy Actress. Deadline Hollywood. Penske Media Corporation. July 12, 2023 [July 13, 2023]. （原始內容存檔於July 13, 2023）. 
  74. ^ Jackson, Destiny. 'The Last Of Us' Guest Star Keivonn Woodard On "Humbling" Historical Emmy Nomination: "I Was In Shock" And Making A Familial Connection With His Fellow Nominees. Variety. Penske Media Corporation. July 12, 2023 [July 14, 2023]. （原始內容存檔於July 13, 2023）. 
  75. ^ Complex, Valerie. Black Reel 7th Annual Television Awards Featuring Gender Neutral Categories Announces Nominations; 'The Best Man: Final Chapters' Leads With 18 Noms. Deadline Hollywood. Penske Media Corporation. June 15, 2023 [July 3, 2023]. （原始內容存檔於June 15, 2023）. 
  76. ^ Thompson, Jaden. America Ferrera, Colman Domingo and Greta Lee Among Critics Choice Association Honorees for Black, Latino and AAPI Achievements. Variety. Penske Media Corporation. November 13, 2023 [November 23, 2023]. （原始內容存檔於November 13, 2023）. 
  77. ^ Earl, William. Spirit Awards 2024: Early Winners Include Da'Vine Joy Randolph, 'May December' and 'American Fiction'. Variety. Penske Media Corporation. February 25, 2024 [February 26, 2024]. （原始內容存檔於February 25, 2024）. 
  78. ^ 78.0 78.1 78.2 Pedersen, Erik. VES Awards: 'The Creator', 'Spider-Man: Across The Spider-Verse' & 'The Last Of Us' Dominate – Full List. Deadline Hollywood. Penske Media Corporation. February 21, 2024 [February 22, 2024]. （原始內容存檔於February 22, 2024）. 
  79. ^ Herndon, Ayana. EXCLUSIVE: 'Barbie,' 'Saltburn' and 'The Crown' Among Costume Designers Guild Nominations 2024. Women's Wear Daily. Penske Media Corporation. January 4, 2024 [January 11, 2024]. （原始內容存檔於January 4, 2024）. 
  80. ^ 80.0 80.1 Knox, David. Aust. Production Design Guild awards 2024: nominees. TV Tonight（英語：TV Tonight）. July 10, 2024 [July 31, 2024]. （原始內容存檔於July 10, 2024）. 
[編輯]


取自 "https://wiki.zwnes.eu.org/w/index.php?title=User:EzrealChen/備用沙盒25&oldid=85522417"